| Series | Episode | Title | First Broadcast | Repeated | Description |
|---|---|---|---|---|---|
| 01 | The Tyger | 19981025 | Duncan Wu presents William Blake's `The Tyger'. With Kathleen Raine, Peter Ackroyd and Michael Horovitz | ||
| 01 | 01 | Sonnet 43 From The Portuguese | 19990404 | 19990410 | `Sonnet 43 from the Portuguese' by Elizabeth Barrett Browning. Peggy Reynolds assesses the ways in which the nation's favourite love poem has echoed through the years. |
| 01 | 02 | At Grass | 19990411 | 19990424 | by Philip Larkin. Stephen Regan introduces an exploration of the themes and impact of Larkin's lyrical evocation of retired racehorses and a vanished England. |
| 01 | 03 | Shall I Compare Thee To A Summer | 19990418 | 19990501 | Richard Wilson explores Shakespeare's famous and much-loved Sonnet No 18, `Shall I compare thee to a summer's day?'. |
| 02 | 01 | If | 20011007 | 20011020 | by Rudyard Kipling. She considers the mixed reactions to the poem voted the nation's favourite. |
| 02 | 02 | No Coward Soul | 20011014 | 20011027 | by Emily Bronte |
| 02 | 03 | Musee Des Beaux Arts | 20011021 | 20011103 | |
| 02 | 03 | Musee Des Beaux Arts | 20011028 | 20011103 | |
| 02 | 04 | Ode On A Grecian Urn | 20011104 | 20011110 | 4: `Ode on a Grecian Urn' by John Keats |
| 03 | 01 | On His Blindness | 20021117 | 20021123 | 1: On his Blindness, by John Milton |
| 03 | 02 | Dover Beach | 20021124 | 20021130 | 2: Dover Beach, by Matthew Arnold |
| 03 | 03 | The Farmer's Bride | 20021201 | 20021207 | 3: The Farmer's Bride, by Charlotte Mew |
| 03 | 04 | Snow | 20021208 | 20021214 | by Louis Macneice |
| 04 | 01 | Psalm 23 | 20030706 | 20030712 | Composed over 2,000 years ago, Psalm 23's imagery and significance remain as vivid as ever. |
| 04 | 02 | Waiting For The Barbarians | 20030713 | 20030719 | "By Cp Cavafy Peggy Reynolds presents another series of the poetry programme that gives listeners an entertaining and often unexpected insight into some of the best-known and best-loved poems in the language. Each of the four poems featured is firmly lodged in our affections, and the programmes take listeners on a journey of exploration through the language, historical background and contemporary resonances of the piece, calling on literary experts, biographers, historians, musicians and poetry readers from all walks of life to bring their own interpretation and insights to the poem. Waiting For The Barbarians has a title that is regularly quoted in many contexts, and is one of the most frequently anthologised of all poems in translation. It is an ironic masterpiece in the form of a dialogue between two citizens of a mythical city, and its contemporary resonance is both fascinating and unavoidable. [Rpt of Sun 4.30pm] " / By Cp Cavafy Peggy Reynolds presents another series of the poetry programme that gives listeners an entertaining and often unexpected insight into some of the best-known and best-loved poems in the language. Each of the four poems featured is firmly lodged in our affections, and the programmes take listeners on a journey of exploration through the language, historical background and contemporary resonances of the piece, calling on literary experts, biographers, historians, musicians and poetry readers from all walks of life to bring their own interpretation and insights to the poem. Waiting For The Barbarians has a title that is regularly quoted in many contexts, and is one of the most frequently anthologised of all poems in translation. It is an ironic masterpiece in the form of a dialogue between two citizens of a mythical city, and its contemporary resonance is both fascinating and unavoidable. |
| 04 | 03 | Naming Of Parts | 20030720 | 20030726 | By Henry Reed Peggy Reynolds explores the experience of poet and dramatist Henry Reed that led him to fuse the natural world with military terminology, in a poem that has become one of the most anthologised of the Second World War and continues to resonate though succeeding generations. |
| 04 | 04 LAST | Jabberwocky | 20030727 | 20030802 | By Lewis Carroll. Peggy Reynolds goes out among the slithy toves, braves the fruminous bandersnatch and generally has a brillig time as she goes in search of Lewis Carroll's mythical creature, the Jabberwock. |
| 05 | 01 | Casabianca. By Felicia Hemans | 20040711 | 20040717 | A poem probably best known for its first line, 'The boy stood on the burning deck...'. It was written about a true episode during the Battle of the Nile in the Napoleonic wars by a poet who in her time, rivaled Wordsworth, Coleridge and Byron in popularity. Peggy Reynolds talks to critics, a world-famous yachtsman, a naval historian and trainee officers about its impact. |
| 05 | 02 | The Windhover By Gerard Manley Hopkins | 20040718 | 20040724, RptofSun4.30pm | Gerard Manley Hopkins (1844-89) was a Jesuit priest and a teacher of Latin and Greek. He burned much of his work because he saw it as a distraction from his religious duties, and the few poems he left were not even published until almost thirty years after his death. Yet Hopkins is now seen as a revolutionary figure in Victorian literature, an inspiration to 20th Century poets such as W.H.Auden and Dylan Thomas. 'The Windhover', a sonnet dedicated 'To Christ Our Lord', is one of Hopkins' best-loved poems. It takes the image of a kestrel in flight and, in brilliantly-compressed language, works it into a profound meditation on CHRISTIANity. Peggy Reynolds, as always in this series, explores the background to the poem to discover how it came to be written and why it remains so vividly alive today. 2/5 The Windhover by Gerard Manley Hopkins. |
| 05 | 03 | I, Too, Sing America, By Langston Hughes | 20040725 | 20040731 | As a young black man in Harlem during the 1920s, Langston Hughes refused to apologise for his colour and was determined instead to celebrate it. His poetic answer to Walt Whitman's I Hear America Singing is a bold assertion made half a century before it became a slogan that black is beautiful. Peggy Reynolds, with the help of Hughes devotees including the novelist Candace Allen, sets out to understand what produced that shout of joyful defiance. |
| 05 | 04 | Tam Lin | 20040801 | 20040807, RptofSun4.30pm | This ancient Scottish ballad fairies, casual sex, shape-shifting, human sacrifice and a heroine with an attitude, not to mention its own website. Peggy Reynolds talks to folk singers, ballad-experts and Ian McShane (who was Tam Lin) to discover why this dramatic tale has haunted imaginations since the middle ages. A series of programmes that explore how poetry makes its mark on our lives. 4/5. Tam Lin This ancient Scottish ballad has fairies, casual sex, shape-shifting, human sacrifice and a heroine with an attitude, not to mention its own website. Peggy Reynolds talks to folk-singers, ballad-experts and actor Ian McShane (who was Tam Lin) to discover why this dramatic tale has haunted imaginations since the Middle Ages. |
| 05 | 05 LAST | He Wishes For The Cloths Of Heaven | 20040808 | 20040814 | Peggy Reynolds adventures into WB Yeats's poem He Wishes for the Cloths of Heaven, best known for its last line, "Tread softly because you tread on my dreams." It is a journey of myth and magic, spirituality and romantic love. |
| 06 | 01 | Ozymandias, By Percy Bysshe Shelley. | 20051120 | 20051126 | Contributors include Richard Holmes and Rageh Omar. |
| 06 | 02 | The Road Not Taken | 20051127 | 20051203 | By Robert Frost. Frost's poem was recently and overwhelmingly voted America's favourite - where it's held up as an example of rugged individualism, a sort of poetic My Way. Contributors include Jay Parini, Sean Street, Matt Harvey and Janet Street-Porter. Presented by Peggy Reynolds |
| 06 | 03 | The Thought Fox | 20051204 | 20051210 | By Ted Hughes. Why does the 'Sharp Hot Stink of Fox' stick to your clothes? Fellow Yorkshireman and poet Simon Armitage needs a shower after reading this seminal poem about creativity. He and people who've known and admired Hughes consider its power. |
| 06 | 04 | Donal Og | 20051211 | 20051217 | Translated by Lady Augusta Gregory of Goole Park, Donal Og is a ballad that speaks of love and loss. W B Yeats and Lady Gregory gathered Kiltartan stories from the Irish speakers of Galway and Aran. |
| 06 | 05 | Morning Has Broken | 20051218 | By Eleanor Farjeon. With words best known as a popular song, it features at weddings, christenings and funerals; is sung by schoolchildren everywhere and has been adopted by Madonna as an inspirational start to the day. Peggy Reynolds looks beyond the apparently simple words of Morning Has Broken to find what lies at the heart of its universal appeal. | |
| 06 | 06 LAST | The Oxen | 20051225 | 20051226 | By Thomas Hardy. Peggy Reynolds looks at this nostalgic poem describing the traditional nativity scene, with its enduring message of faith and hope. Written by Hardy - himself an agnostic - and first published in The Times on Christmas Eve, 1915, when the events of the First World War were at their most terrible. |
| 07 | 01 | The Lady Of Shalott, By Tennyson | 20060903 | 20060909 | Why is this much-loved, much recited, much sung poem still intriguing people - including historians, painters, weavers and American Indie pop singers? |
| 07 | 02 | Timothy Winters, By Charles Causley | 20060910 | 20060916 | Causley's best known poem is a perennial favourite on the school curriculum. Peggy visits Launceston in Cornwall - where Causley was born, bred and worked as a schoolteacher - to meet some of his old friends, including one of his former pupils. New York poet Dana Gioia, a Causley scholar and enthusiast, analyses the poem and adds his own memories. |
| 07 | 03 | First Fig, By Edna St Vincent Millay | 20060917 | 20060923 | This very short poem has had an extraordinary life. It is brief enough to quote in full, but its hinterland has stretched far and wide from the bohemia of Greenwich Village in New York where it was written nearly 100 years ago. |
| 07 | 04 LAST | Tonight At Noon, By Adrian Henri | 20060924 | 20060930 | Peggy examines the opening poem of the groundbreaking 1967 collection The Mersey Sound, and uncovers a piece of aural pop art, an exercise in reversals, a surrealist work and a love poem. |
| 08 | 01 | First Party At Ken Kesey's With Hell's Angels | 20071014 | 20071020 | By Allen Ginsberg |
| 08 | 02 | To His Coy Mistress | 20071021 | 20071027 | By Andrew Marvell. One of the great poems of seduction was written by a 17th-century puritan rumoured to have been homosexual. |
| 08 | 03 | The Quality Of Mercy Is Not Strain'd | 20071028 | 20071103 | Portia's speech in defence of Antonio in the Merchant of Venice is one of Shakespeare's best known and most frequently quoted. Contributors include Lord Chief Justice Lord Phillips, Helena Kennedy QC, Lisa Jardine, rabbi Julia Neuberger and actress Janet Suzman |
| 08 | 04 | Matilda | 20071104 | 20071110 | Hilaire Belloc's Matilda has been enjoyed by generations of children and parents since its publication in 1907. Contributors include children's writer Michael Morpurgo, playwright and film maker Debbie Isitt, Children's Laureate Michael Rosen and professor of children's literature Kim Reynolds. |
| 08 | Morning Has Broken | 20071007 | 20071013 | Peggy Reynolds explores the background, effect and lasting appeal of Elizabeth Farjeon's poem Morning Has Broken. | |
| 09 | 01 | The Listeners | 20081123 | 20081129 | By Walter de la Mare. Published in 1912, the poem has been popular with adults and children alike for its elusiveness. Peggy examines its enduring appeal and finds out why gardeners, spiritualists and teachers are still intrigued and inspired by it. |
| 09 | 02 | Ithaka | 20081130 | 20081206 | Peggy talks to people who have been inspired by Ithaka's treatment of the journey of life. By Cp Cavafy. Peggy talks to people who have found inspiration in the poem's treatment of the journey of life, including the poet Ruth Padel, and Prof Edith Hall discusses its Homeric associations. By Cp Cavafy. Peggy talks to people who have found inspiration in the poem's treatment of the journey of life, including the poet Ruth Padel, and Professor Edith Hall discusses its Homeric associations. |
| 09 | 03 | I Am, By John Clare | 20081213 | 20081207 | Peggy examines Clare's expression of feelings of dispossession. Peggy examines the poem's expression of feelings of dispossession engendered by the land grab of the agricultural enclosures of the early-19th century, and Clare's residency in a lunatic asylum at the time of writing it. Peggy examines the poem's expression of feelings of dispossession engendered by the land grab of the agricultural enclosures of the early-19th century, and Clare's residency in a lunatic asylum at the time of writing it. |
| 09 | 04 LAST | Let's Do It, Let's Fall In Love | 20081214 | 20081220 | Peggy hears from those to whom the exuberant lyrics of Cole Porter's song speak volumes, including agony aunt Bel Mooney and pianist Simon Townley |
| 10 | 01 | Adlestrop | 20091108 | 20091114 | Written in 1915 about a two-minute stop at a railway station in the Cotswolds, this poem has long been loved for its evocation of high summer, rural England and the intimation of changes to come.Peggy Reynolds examines the enduring appeal of Edward Thomas' evocative poem. |
| 10 | 02 | To My Dear And Loving Husband | 20091115 | 20091121 | Anne Bradstreet's poem has been anthologised in nearly every collection of love poetry published. How did a near-invalid woman, who had to endure not only the privations of migrating to the New World but also the strict Puritan ethic established there, manage to write something so warm and personal that it still speaks to us today?The story behind one of the most tender and enduring of love poems. |
| 10 | 03 | Mending Wall | 20091122 | 20091128 | Robert Frost's Mending Wall gave us the epigram 'good fences make good neighbours'. They don't, of course, but we still need our walls and hedges. Peggy meets sheep farmers, wall artists and poetry enthusiasts as she explores the stories behind the poem.Robert Frost's Mending Wall gave us the epigram 'good fences make good neighbours'. |
| 10 | 04 | An Arundel Tomb | 20091129 | 20091205 | Philip Larkin was disappointed by his 'Tomb poem': one of the pivotal details was wrong and another, he discovered, had been invented by a Victorian restorer 500 years later. 'Muddle to the end,' he complained, and yet it is now one of his best-loved and most quoted poems. Peggy Reynolds investigates the layers of mystery surrounding Larkin's much-loved poem. |
| 10 | 05 | My Last Duchess | 20091206 | 20091212 | The height of English Gothic, a poem in which an aristocrat tacitly admits to having done away with his young wife - a Medici no less. Peggy Reynolds teases out the many layers of Robert Browning's chilling but groundbreaking poem.Peggy Reynolds teases out the many layers of Robert Browning's chilling poem. |
| 10 | 06 LAST | On First Looking Into Chapman's Homer | 20091213 | 20091219 | 'Much have I travelled in the realms of gold...' Keats' sonnet - his first great poem - begins. Keats couldn't read Greek and the poem records him touching the ancient world through translation and his Already fecund imagination. Peggy explores the stories behind its creation and its enduring appeal. |
| 01 | The Charge Of The Light Brigade | 20001015 | 20001028 | by Alfred, Lord Tennyson. Tennyson's powerful evocation of one of history's most tragic military mistakes is discussed by historian Richard Holmes, war correspondent John Simpson and actor David Hemmings, among others. | |
| 02 | Daffodils | 20001022 | 20001104 | by William Wordsworth. The significances of the poem are discussed by an academic, a Lake District writer, the poet's most recent biographer, the secretary of the Daffodil Society, a rap artist, a teacher, her pupils and a poet. | |
| 02 | How Do I Love Thee...? | 19981101 | Peggy Reynolds counts the ways in which the nation's favourite love poem, Elizabeth Barrett Browning's `Sonnet 43 from the Portuguese', has echoed through the years. | ||
| 03 | Remember | 20001105 | 20001111 | 3: `Remember', by Christina Rossetti. The poem is discussed with her biographer, a vicar, other writers and an expert in the psychology of grief. by John Donne. The poem is discussed by poets, schoolboys and the caretaker of a garden. | |
| 03 LAST | Leda And The Swan By W B Yeats | 19981108 | The resonances of Yeats's great sonnet are explored by poets, artists and contemporary readers. | ||
| 04 | The Sunne Rising | 20001105 | 20001118 | 3: `Remember', by Christina Rossetti. The poem is discussed with her biographer, a vicar, other writers and an expert in the psychology of grief. by John Donne. The poem is discussed by poets, schoolboys and the caretaker of a garden. | |
| 04 | The Sunne Rising | 20001112 | 20001125 | 5: `Morning Song', by Sylvia Plath. She discusses the poem with poets, mothers, midwives and Plath's biographer. | |
| 05 | Morning Song | 20001112 | 20001125 | 5: `Morning Song', by Sylvia Plath. She discusses the poem with poets, mothers, midwives and Plath's biographer. | |
| 05 | Morning Song | 20001119 | 20001202 | ||
| 06 | The Owl And The Pussycat | 20001126 | 20001209 | 6: `The Owl and the Pussycat' by Edward Lear. She explores Lear's nonsense world with the help of academics, writers, children and other fans. |