Collecting The Troubles At The Ulster Museum

Episodes

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2018112720181201 (R4)

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There have been many creative responses to the Troubles in Northern Ireland – the violent conflict that raged between 1969 and the signing of the Good Friday agreement in 1998 – but a substantial collection of them in Northern Ireland has proved elusive.

Peter Curran examines how a cultural institution, a national museum of Northern Ireland, tells the story of the Troubles comprehensively through art and objects in new galleries.

Until recently, The Ulster Museum clung to less contested parts of the past - Spanish doubloons from the wrecked Armada, superb African canoes, and fossils. Peter Curran loved coming in to the museum's quietness during the 1980s to see history not pressed into the service of murdering friends and destroying families and the architecture of his city.

For this programme, he goes behind the scenes with a new generation of curators to the museum's secret off-site store of treasures and into the studio of artist Colin Davidson whose extraordinary Silent Testimony paintings of those who have experienced loss have just moved from the Ulster Museum to the United Nations in New York.

He discovers a universality in the story of how any place of conflict tells its story in the aftermath, through art and objects.

(image: Woman In Bomb Blast, sculpture by F.E McWilliam)

Produced and presented by Peter Curran. A Foghorn production for BBC Radio 4

Behind the scenes with a new generation of curators, Art, and startling exhibits.

The behind the scenes story of how a national museum at the centre of a recent conflict that killed more that 3,500 people, tells that story through startling exhibits.

There have been many creative responses to the Troubles in Northern Ireland – the violent conflict that raged between 1969 and the signing of the Good Friday agreement in 1998 – but bringing them together for a substantial collection in Northern Ireland has proved elusive up to now.

Peter Curran examines how a cultural institution, a national museum situated at the centre of that conflict, has begun telling the story of the Troubles through art and objects.

Until recently, The Ulster Museum clung to less contested parts of the past - Spanish doubloons from the wrecked Armada, superb African canoes, and fossils. Peter loved coming in to the museum's quietness during the 1980s to see history not pressed into the service of murdering friends and destroying families and the architecture of his city.

For this programme, Peter goes behind the scenes with a new generation of curators to the museum's secret off-site store of treasures and into the studio of artist Colin Davidson whose extraordinary Silent Testimony paintings of those who have experienced loss have just moved from the Ulster Museum to the United Nations in New York.

He discovers a universality in the story of how any place of conflict tells its story in the aftermath, through art and objects.

A Foghorn Company production for BBC Radio 4

Behind the scenes with a new generation of curators and startling exhibits."

"

There have been many creative responses to the Troubles in Northern Ireland – the violent conflict that raged between 1969 and the signing of the Good Friday agreement in 1998 – but a substantial collection of them in Northern Ireland has proved elusive.

Peter Curran examines how a cultural institution, a national museum of Northern Ireland, tells the story of the Troubles comprehensively through art and objects in new galleries.

Until recently, The Ulster Museum clung to less contested parts of the past - Spanish doubloons from the wrecked Armada, superb African canoes, and fossils. Peter Curran loved coming in to the museum's quietness during the 1980s to see history not pressed into the service of murdering friends and destroying families and the architecture of his city.

For this programme, he goes behind the scenes with a new generation of curators to the museum's secret off-site store of treasures and into the studio of artist Colin Davidson whose extraordinary Silent Testimony paintings of those who have experienced loss have just moved from the Ulster Museum to the United Nations in New York.

He discovers a universality in the story of how any place of conflict tells its story in the aftermath, through art and objects.

(image: Woman In Bomb Blast, sculpture by F.E McWilliam)

Produced and presented by Peter Curran. A Foghorn production for BBC Radio 4

The behind the scenes story of how a national museum at the centre of a recent conflict that killed more that 3,500 people, tells that story through startling exhibits.

There have been many creative responses to the Troubles in Northern Ireland – the violent conflict that raged between 1969 and the signing of the Good Friday agreement in 1998 – but bringing them together for a substantial collection in Northern Ireland has proved elusive up to now.

Peter Curran examines how a cultural institution, a national museum situated at the centre of that conflict, has begun telling the story of the Troubles through art and objects.

Until recently, The Ulster Museum clung to less contested parts of the past - Spanish doubloons from the wrecked Armada, superb African canoes, and fossils. Peter loved coming in to the museum's quietness during the 1980s to see history not pressed into the service of murdering friends and destroying families and the architecture of his city.

For this programme, Peter goes behind the scenes with a new generation of curators to the museum's secret off-site store of treasures and into the studio of artist Colin Davidson whose extraordinary Silent Testimony paintings of those who have experienced loss have just moved from the Ulster Museum to the United Nations in New York.

He discovers a universality in the story of how any place of conflict tells its story in the aftermath, through art and objects.

A Foghorn Company production for BBC Radio 4