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012011070320120807 (R3)Adam Nicolson presents the first of a two-part exploration of humankind's relationship with nature, told through the cultural accounts of the arcadian wild we have made. This is a journey from the cave paintings of Chauvet in France to the Cape Farewell - artists as eco-warriors - project. To be human is to construct arcadias: of the mind and for real, escapes and escape routes. Culture is made in the recognition of the gap between wildness and the self. But accounts of the gap are made on and of the earth, and they cannot be heavenly. So arcadia is always dark. Death lives at its heart. This is what the cave paintings describe and the melting ice maps tell. Et in Arcadia ego.

These Sunday Features are accompanied by a week long series of Dark Arcadia Essays which being on Monday.

Adam Nicolson explores ideas of Arcadia in the work of Hesiod, Virgil and Horace.

02Part 22011071020120808 (R3)Adam Nicolson presents a two-part exploration of humankind's relationship with nature, told through the cultural accounts of the arcadian wild we have made. This is a journey from the cave paintings of Chauvet in France to the Cape Farewell - artists as eco-warriors - project. To be human is to construct arcadias: of the mind and for real, escapes and escape routes. Culture is made in the recognition of the gap between wildness and the self. But accounts of the gap are made on and of the earth, and they cannot be heavenly. So arcadia is always dark. Death lives at its heart. This is what the cave paintings describe and the melting ice maps tell. Et in Arcadia ego.

Adam Nicolson explores ideas of Arcadia in western culture and why death is at its heart.

02 LAST20110710Adam Nicolson presents a two-part exploration of humankind's relationship with nature, told through the cultural accounts of the arcadian wild we have made. This is a journey from the cave paintings of Chauvet in France to the Cape Farewell - artists as eco-warriors - project. To be human is to construct arcadias: of the mind and for real, escapes and escape routes. Culture is made in the recognition of the gap between wildness and the self. But accounts of the gap are made on and of the earth, and they cannot be heavenly. So arcadia is always dark. Death lives at its heart. This is what the cave paintings describe and the melting ice maps tell. Et in Arcadia ego.

Adam Nicolson explores ideas of Arcadia in western culture and why death is at its heart.