| Series | Episode | Title | First Broadcast | Repeated | Description |
|---|---|---|---|---|---|
| LB | 01 | 19990831 | The Royal Ballet's principal dancer, Deborah Bull, reads five extracts from her diary covering a year at the crisis-torn Royal Opera House. Abridged by Doreen Estall. Additional reporting by Jo Morris (1/5). | ||
| LB | 02 | 19990901 | The Royal Ballet's principal dancer Deborah Bull reads five extracts from her diary covering a year at the crisis-torn Royal Opera House. Abridged by Doreen Estall. Additional reporting by Jo Morris. Part 2: It is the final performance at the Royal Opera House for at least the next two years, and when the curtain falls, Deborah confesses to a theft. | ||
| LB | 03 | 19990902 | The Royal Ballet's principal dancer Deborah Bull reads five extracts from her diary covering a year at the crisis-torn Royal Opera House. Abridged by Doreen Estall. Additional reporting by Jo Morris. Part 3: It is 1998, and some tough decisions lie ahead. | ||
| LB | 04 | To Lose One Chief Executive May Be Regarded As A Misfortune; To Lose Both Looks Like Carelessness | 19990903 | 19990828 | The Royal Ballet's principal dancer Deborah Bull reads five extracts from her diary covering a year at the crisis-torn Royal Opera House. Abridged by Doreen Estall. Additional reporting by Jo Morris. Part 4: `To lose one chief executive may be regarded as a misfortune; to lose both looks like carelessness'. |
| LB | 05 | 19990910 | 19990904 | The Royal Ballet's principal dancer Deborah Bull reads five extracts from her diary covering a year at the crisis-torn Royal Opera House. Abridged by Doreen Estall. Additional reporting by Jo Morris. Part 5: Deborah Bull makes one of the biggest decisions to date in her career. | |
| S | 19981005 | The Royal Ballet's principle dancer, Deborah Bull, reads extracts from her diary of the past year at the crisis-torn Royal Opera House (1/5). | |||
| S | 19981006 | The Royal Ballet's principal dancer, Deborah Bull, reads extracts from her diary of the past year at the crisis-torn Royal Opera House. It is the final performance for two years at the Royal Opera House, and, when the curtain falls, Deborah confesses to a theft (2/5). | |||
| S | 19981007 | The Royal Ballet's principal dancer, Deborah Bull, reads extracts from her diary of the past year at the crisis-torn Royal Opera House. It is now 1998, and some tough decisions lie ahead... (3/5). | |||
| S | To Lose One Chief Executive May Be Regarded As A Misfortune; To Lose Both Looks Like Carelessness | 19981008 | The Royal Ballet's principle dancer, Deborah Bull, reads extracts from her diary of the past year at the crisis-torn Royal Opera House. `To lose one Chief Executive may be regarded as a misfortune; to lose both looks like carelessness' (4/5). | ||
| S | 19981009 | The Royal Ballet's principle dancer, Deborah Bull, reads extracts from her diary of the past year at the crisis-torn Royal Opera House. In this part, Deborah makes one of the biggest decisions of her career, as a future in the politics of the arts world beckons (5/5). |