Writer/director Lou Stein explores the impact of fatherhood on creativity.
Writer/director Lou Stein sets out on a quest to understand the connections between fatherhood and creativity. He draws on Greek father-archetypes to gain insight and understanding into today's shifting fatherly landscape.
"If, in my own life so far, I have a bit of the wanderlust of Odysseus, and the rebellious nature of the father-hungry Achilles, it is Hector's ideals which I most aspire to."
There is little doubt that the act of consciously choosing to become a father (as opposed to fathering a child) is a critical choice for any man. But artists who choose to take on the responsibilities of fatherhood have their creative inventions enhanced and challenged in a very specific way. Does the fact of taking on the challenges of fatherhood in the 21st century diminish their creative output in some way by dividing the creativity needed to be a father and needed to be an artist? Or does having a child nourish and advance the artist's creative march forward in an ever-changing world, where the rules of engagement are accelerated in a consumer-lead, technologically driven context.
In the first essay of the series, Lou Stein looks at the historical notions of fatherhood in Western culture, and in particular the shifting expectations of what it means to be a father. Drawing on a number of Greek archetypes of fatherhood, he offers a view of the ancient and contemporary expectations of the father which can help us understand the fatherly landscape we live in today.
Artist John Keane discusses how his children have influenced how he sees his work.
Lou Stein's investigation into the connections between fatherhood and creativity continues with Gulf War Artist John Keane's look at how his children have influenced how he sees his art and his role as a father. His paintings reflect on the the dire poverty and hopelessness which can flourish in third world countries in conflict. Although the nature of his interests means that he is constantly travelling to politically explosive parts of the world, fatherhood has helped him maintain an emotional balance in his life.
"It was not until my daughter was eleven and my son six that an idea emerged for a painting that blended with the theme of my work at that time, and flowed naturally into the series that I was putting together for an exhibition entitled Intelligent Design. I had become fascinated with the images of the outer reaches of the universe transmitted to us from the orbiting Hubble telescope. The sheer wonder of the vastness of what is out there defies comprehension but inspires awe. And what we see there is what we are. Stardust. Coalesced somehow into an intelligent life form, and circumscribed by love and cruelty. Against this I had also a photograph of my two children, holding hands, standing on a Suffolk beach in front of the ocean and gazing out to the horizon, their backs toward me. The idea occurred to me of substituting the object of their gaze, the chilly greys of the North Sea, for the rich hues of outer space, and this charged the image with a resonance invoking both the micro- and macrocosmic, but more than anything else it just reminded me of that old logo from my own childhood of Start-rite shoes - and this resonance was perfect."
JOHN KEANE Gulf War artist John Keane was born in Hertfordshire in 1954 and attended Camberwell School of Art. His work has focused on many of the pressing political questions of our age, and he came to national prominence in 1991 when he was appointed as official British War Artist during the Gulf War. His subject matter has subsequently addressed difficult topics in relation to religiously inspired terrorism such as Guantanamo Bay, the Moscow theatre siege and homegrown violence against civilians. Most recently, he has also become known for the portraits of Mo Mowlam, Jon Snow and Kofi Annan.
Author Abdulrazak Gurnah makes contact with his father after a long period of absence.
Lou Stein's investigation into the connections between fatherhood and creativity continues with Booker nominated author Abdulrazak Gurnah's emotional return to Zanzibar to see his elderly father. By making contact with him and his native land after a long period of absence, he was able to clearly focus his memories and his father's stories. He shared them with his daughters and then the world with the publication of his award-winning book "Paradise".
"My father was a pious man, but his piety was not oppressive. He did not harangue or lecture people, or engage in any ostentatious acts of observance. When he was younger, he was one of the handful of people who went to the mosque for the dawn prayers, and went to the mosque for all the other prayers in the day when he wasn't at work. Even when he was so unwell, he went to the mosque for at least three of the day's prayers. During the month of Ramadhan he read the Koran from beginning to end, reading for two hours in the afternoon every day instead of taking his usual siesta, pacing himself so that he could complete the reading before the month was out. So it was no surprise that one of the first things that my father should say to me after a 17-year absence was, go to the mosque and say your prayers, for while he did not harangue people about praying, he did not see why he should not harangue his own son."
ABDULRAZAK GURNAH (Novelist). Abdulrazak was born in 1948 in Zanzibar, Tanzania and teaches at the University of Kent. His best-known novels are Desertion (2005), By The Sea (2001), and Paradise (1994). The latter was short-listed for the Booker Prize and the Whitbread Prize. It is a compelling story set in East Africa about a young Muslim boy, Yusuf, who is pawned by his father to a rich and powerful trader whom he is told is his "uncle". His search for his own identity and for an understanding of his true father's actions is the centre Gurnah's novel.