From The Met [Opera On 3]

Episodes

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Adriana Lecouvreur20190112

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In the first ever Met production of Francesco Cilea's Adriana Lecouvreur, Anna Netrebko plays the title role of the real-life French actress who dazzled 18th century audiences with her on and offstage passion. The rivalry between Adriana and the Princess de Bouillon for the love of Maurizio ends in high drama and a bouquet of poisoned violets.

Presented from the Met by Mary Jo Heath and Ira Siff

Cilea: Adriana Lecouvreur

Adriana Lecouvreur....Anna Netrebko (Soprano)
Principessa....Anita Rachvelishvili (Mezzo-soprano)
Maurizio....Piotr Beczala (Tenor)
Abbe of Chazeuil....Carlo Bosi (Tenor)
Michonnet....Ambrogio Maestri (Baritone)
Prince de Bouillon....Maurizio Muraro (Bass)
Mlle Jouvenot....Sarah Joy Miller (Soprano)
Mlle Dangeville....Samantha Hankey ( Mezzo-soprano)
Poisson....Tony Stevenson (Tenor)
Quinault....Patrick Carfizzi (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Gianandrea Noseda (Conductor)

For full synopsis visit the programme page

Photo credit:
Anna Netrebko as Adriana and Piotr Beczała as Maurizio
Photo: Vincent Peters / Met Opera

Love, rivalry and poisoned violets in tonight's opera from the Met

Programme presenting rare and fascinating operatic performances

In the first ever Met production of Francesco Cilea's Adriana Lecouvreur, Anna Netrebko plays the title role of the real-life French actress who dazzled 18th century audiences with her on and offstage passion. The rivalry between Adriana and the Princess de Bouillon for the love of Maurizio ends in high drama and a bouquet of poisoned violets.

Presented from the Met by Mary Jo Heath and Ira Siff

Cilea: Adriana Lecouvreur

Adriana Lecouvreur....Anna Netrebko (Soprano)
Principessa....Anita Rachvelishvili (Mezzo-soprano)
Maurizio....Piotr Beczala (Tenor)
Abbe of Chazeuil....Carlo Bosi (Tenor)
Michonnet....Ambrogio Maestri (Baritone)
Prince de Bouillon....Maurizio Muraro (Bass)
Mlle Jouvenot....Sarah Joy Miller (Soprano)
Mlle Dangeville....Samantha Hankey ( Mezzo-soprano)
Poisson....Tony Stevenson (Tenor)
Quinault....Patrick Carfizzi (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Gianandrea Noseda (Conductor)

"

Berlioz - Faust20200208

Today's Opera from the Met is a concert presentation of Berlioz’s compelling take on the Faust legend, in which the hero exchanges his soul for unlimited knowledge. Berlioz's imaginative score is, like the masterpiece it's based on, wild and grandiose but also intimately beautiful.
Today's cast is an ideal line-up of stars: Tenor Michael Spyres sings the doomed and besotted Faust, opposite the dazzling mezzo-soprano Elīna Garanča as the forsaken Marguerite and bass Ildar Abdrazakov as the malevolent Méphistophélès. Edward Gardner conducts the Chorus and Orchestra of the Metropolitan Opera House in New York..
Presented by Mary-Jo Heath with commentator Ira Siff.

Marguerite....Elina Garanca (Mezzo-soprano)
Faust....Michael Spyres (Tenor)
Méphistophélès....Ildar Abdrazakov (Bass)
Brander....Patrick Carfizzi (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Edward Gardner (Conductor

Berlioz's Faust, conducted by Edward Gardner, from the Met.

Programme presenting rare and fascinating operatic performances

Berlioz - La Damnation De Faust20200208

Today's Opera from the Met is a concert presentation of Berlioz’s compelling take on the Faust legend, in which the hero exchanges his soul for unlimited knowledge. Berlioz's imaginative score is, like the masterpiece it's based on, wild and grandiose but also intimately beautiful.
Today's cast is an ideal line-up of stars: Tenor Michael Spyres sings the doomed and besotted Faust, opposite the dazzling mezzo-soprano Elīna Garanča as the forsaken Marguerite and bass Ildar Abdrazakov as the malevolent Méphistophélès. Edward Gardner conducts the Chorus and Orchestra of the Metropolitan Opera House in New York..
Presented by Mary-Jo Heath with commentator Ira Siff.

Marguerite....Elina Garanca (Mezzo-soprano)
Faust....Michael Spyres (Tenor)
Méphistophélès....Ildar Abdrazakov (Bass)
Brander....Patrick Carfizzi (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Edward Gardner (Conductor

Berlioz's Faust, conducted by Edward Gardner, from the Met.

Programme presenting rare and fascinating operatic performances

Bizet's Carmen20190202

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Bizet's Carmen.

Presented by Mary Jo Heath and Ira Siff.

Mezzo-soprano Cl退mentine Margaine portrays the gypsy seductress, who tells her admirers that love is free and obeys no rules. This is something that Don Jos退, sung by Roberto Alagna, finds hard to bear, with ultimately tragic consequences.

Carmen....Cl退mentine Margaine (Mezzo-soprano)
Micaela....Aleksandra Kurzak (Soprano)
Don Jos退....Roberto Alagna (Tenor)
Escamillo....Alexander Vinogradov (Bass)
Frasquita....Sydney Mancasola (Soprano)
Merc退d耀s....Samantha Hankey (Mezzo-soprano)
Le Remendado....Eduardo Valdes (Tenor)
Le Dancaiire....Javier Arrey (Baritone)
Morales....Alexey Lavrov (Baritone)
Zuniga....Richard Bernstein (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Louis Langr退e (Conductor)

Bizet's Carmen, sung by Clementine Margaine.

Programme presenting rare and fascinating operatic performances"

"

Bizet's Carmen.

Presented by Mary Jo Heath and Ira Siff.

Mezzo-soprano Clémentine Margaine portrays the gypsy seductress, who tells her admirers that love is free and obeys no rules. This is something that Don José, sung by Roberto Alagna, finds hard to bear, with ultimately tragic consequences.

Carmen....Clémentine Margaine (Mezzo-soprano)
Micaela....Aleksandra Kurzak (Soprano)
Don José....Roberto Alagna (Tenor)
Escamillo....Alexander Vinogradov (Bass)
Frasquita....Sydney Mancasola (Soprano)
Mercédès....Samantha Hankey (Mezzo-soprano)
Le Remendado....Eduardo Valdes (Tenor)
Le Dancaiire....Javier Arrey (Baritone)
Morales....Alexey Lavrov (Baritone)
Zuniga....Richard Bernstein (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Louis Langrée (Conductor)

From The Met In New York - Mozart's Marriage Of Figaro20200222

From the Metropolitan Opera House in New York, Mozart evergreen comic opera depicting the political and social clashes in 18th-century Seville, featuring a delightful libretto by Lorenzo da Ponte, based on the controversial Beaumarchais play. The baritone Mariusz Kwiecien is Count Almaviva and the soprano Anita Hartig is the Countess. Figaro is the bass Adam Plachetka. Cornelius Meister conducts the Metropolitan Opera House Orchestra and Chorus. Presented by Mary Jo Heath, with commentator Ira Siff.

Countess Almaviva....Anita Hartig (Soprano)
Susanna....Hanna-Elisabeth Müller (Soprano)
Cherubino....Marianne Crebassa (Mezzo-soprano)
Marcellina....Maryann Mccormick (Soprano)
Count Almaviva....Mariusz Kwiecien (Baritone)
Figaro....Adam Plachetka (Bass)
Bartolo....Maurizio Muraro (Bass)
Barbarina....Maureen Mckay (Soprano)
Don Basilio....Keith Jameson (Tenor)
Don Curzio....Tony Stevenson (Tenor)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Cornelius Meister (Conductor)

With a cast starring Mariusz Kwiecien as Count Almaviva. Cornelius Meister conducts.

Programme presenting rare and fascinating operatic performances

From The Met In New York Puccini's La Boh\u00e8me20200125

From the Metropolitan Opera House in New York Puccini's La bohème, the touching portrait of bohemian life in 19th-century Paris, centred on the doomed love story between the shy seamstress Mimi, sung by the soprano Ailyn Perez, and the aspiring but penniless poet Rodolfo, sung by the tenor Matthew Polenzani. Maestro Marco Armiliato conducts the New York Metropolitan Opera Orchestra and Chorus.

Mimi....Ailyn Perez (Soprano)
Musetta....Olga Kulchynska (Soprano)
Rodolfo....Matthew Polenzani (Tenor)
Marcello....David Bizic (Baritone)
Schaunard....Andrey Zhilikhovsky (Baritone)
Colline....Jongmin Park (Bass)
Benoit....Arthur Woodley (Baritone)
Officer....Jonathan Scott (Bass)
Customs Sergeant....Yohan Yi (Bass)
Parpignol....Marco Antonio Jordao (Tenor)
Prugne di Tours....Dustin Lucas (Tenor)

New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Marco Armiliato (Conductor)

Starring Ailyn Perez as Mimi and Matthew Polenzani as Rodolfo. Marco Armiliato conducts.

Programme presenting rare and fascinating operatic performances

Iolanta And Bluebeard's Castle20190209

Tonight's opera from the Met is a double bill of Tchaikovsky and Bartok one act operas. Soprano Sonya Yoncheva sings Iolanta, a blind princess hidden away by her father who's determined that she should never find out about her blindness. She has been promised to Robert, but it's his friend the dashing knight Vaudémont who falls for her. Then to a less fortunate wife, as Angela Denoke sings Judith who learns some unpleasant truths about her new husband behind the castle doors.

Presented from New York by Mary Jo Heath and Ira Siff.

Iolanta:
Iolanta....Sonya Yoncheva (Soprano)
Count Vaudemont....Matthew Polenzani (Tenor)
Robert....Alexey Markov (Baritone)
Ibn- Hakla....Elchin Azizov (Baritone)
Rene....Vitalij Kowaljow (Bass)
Almeric....Mark Schowalter (Tenor)
Bertrand....Harold Wilson (Bass)
Marta....Larissa Diadkova (Mezzo-soprano)
Brigitta....Ashley Emerson (Soprano)
Laura....Megan Marino (Mezzo-soprano)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Henrik Nánási (conductor)

Bluebeard's Castle:
Judith....Angela Denoke (Soprano)
Bluebeard....Gerald Finley (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Henrik Nánási (conductor)

For full synopsis visit programme page

Tonight's opera from the Met is a double bill of Tchaikovsky and Bartok one-act operas.

Programme presenting rare and fascinating operatic performances

Tonight's opera from the Met is a double bill of Tchaikovsky and Bartok one act operas. Soprano Sonya Yoncheva sings Iolanta, a blind princess hidden away by her father who's determined that she should never find out about her blindness. She has been promised to Robert, but it's his friend the dashing knight Vaud退mont who falls for her. Then to a less fortunate wife, as Angela Denoke sings Judith who learns some unpleasant truths about her new husband behind the castle doors.

Presented from New York by Mary Jo Heath and Ira Siff.

Iolanta:
Iolanta....Sonya Yoncheva (Soprano)
Count Vaudemont....Matthew Polenzani (Tenor)
Robert....Alexey Markov (Baritone)
Ibn- Hakla....Elchin Azizov (Baritone)
Rene....Vitalij Kowaljow (Bass)
Almeric....Mark Schowalter (Tenor)
Bertrand....Harold Wilson (Bass)
Marta....Larissa Diadkova (Mezzo-soprano)
Brigitta....Ashley Emerson (Soprano)
Laura....Megan Marino (Mezzo-soprano)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Henrik Nကnကsi (conductor)

Bluebeard's Castle:
Judith....Angela Denoke (Soprano)
Bluebeard....Gerald Finley (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Henrik Nကnကsi (conductor)

For full synopsis visit programme page

Tonight's opera from the Met is a double bill of Tchaikovsky and Bartok one act operas. Soprano Sonya Yoncheva sings Iolanta, a blind princess hidden away by her father who's determined that she should never find out about her blindness. She has been promised to Robert, but it's his friend the dashing knight Vaudémont who falls for her. Then to a less fortunate wife, as Angela Denoke sings Judith who learns some unpleasant truths about her new husband behind the castle doors.

Presented from New York by Mary Jo Heath and Ira Siff.

Iolanta:
Iolanta....Sonya Yoncheva (Soprano)
Count Vaudemont....Matthew Polenzani (Tenor)
Robert....Alexey Markov (Baritone)
Ibn- Hakla....Elchin Azizov (Baritone)
Rene....Vitalij Kowaljow (Bass)
Almeric....Mark Schowalter (Tenor)
Bertrand....Harold Wilson (Bass)
Marta....Larissa Diadkova (Mezzo-soprano)
Brigitta....Ashley Emerson (Soprano)
Laura....Megan Marino (Mezzo-soprano)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Henrik Nánási (conductor)

Bluebeard's Castle:
Judith....Angela Denoke (Soprano)
Bluebeard....Gerald Finley (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Henrik Nánási (conductor)

For full synopsis visit programme page

Tonight's opera from the Met is a double bill of Tchaikovsky and Bartok one-act operas.

Programme presenting rare and fascinating operatic performances

La Cenerentola20200321

From the Metropolitan Opera House in New York, Rossini’s effervescent take on the Cinderella story. Casting the title role as a virtuoso mezzo-soprano, Rossini turns the fairy-tale stereotypes into fleshed-out characters with some touching and witty music along the way. Mezzo-soprano Joyce DiDonato sings Cenerentola, the girl neglected by her family, and tenor Juan Diego Flórez as her Prince Charming who sees her true worth despite the rags. Fabio Luisi conducts the lively action.

Presented by Mary-Jo Heath with further commentary by Ira Siff

Angelina (Cenerentola)....Joyce DiDonato (Soprano)
Don Ramiro....Juan Diego Flórez (Tenor)
Clorinda....Rachelle Durkin (Soprano)
Tisbe....Patricia Risley (Mezzo-soprano)
Dandini....Pietro Spagnoli (Baritone)
Don Magnifico....Alessandro Corbelli (Bass)
Alldoro....Luca Pisaroni (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Fabio Luisi (Conductor)

From the Metropolitan Opera House in New York, Rossini's take on the Cinderella story.

Programme presenting rare and fascinating operatic performances

La Fille Du R\u00e9giment20190302

Found on a battlefield as a baby, Marie has been raised by the 21st Regiment. Her foster-father Sulpice says she should marry a soldier from the Regiment, but Marie has other ideas. Pretty Yende sings Marie, and Javier Camarena sings the object of her love, Tonio. And actress Kathleen Turner makes her Met debut in the speaking role of the Duchess of Krakenthorp. One of the jewels of the bel canto repertoire, La Fille du Régiment has humour, pathos, and that famous tenor aria with nine top Cs.

Presented from the Met by Mary Jo Heath and Ira Siff.

Marie....Pretty Yende (soprano)
The Marquise of Berkenfield....Stephanie Blythe (contralto)
The Duchess of Crakentorp....Kathleen Turner (non singing role)
Tonio....Javier Camarena (tenor)
Sergeant Sulpice....Mauricio Muraro (bass)
Hortensius....Paul Corona (bass)
A Corporal....Yohan Yi (bass)
A Townsman....Patrick Miller (tenor)
Metropolitan Opera Chorus
Metropolitan Opera Orchestra
Enrique Mazzola (conductor)

From the Metropolitan Opera, Pretty Yende and Javier Camarena star in La fille du regiment

Programme presenting rare and fascinating operatic performances

Massenet - Manon20200215

From the Met in New York, Massenet's tale of the beautiful and vivacious Manon who is addicted to both love and luxury. When the Chevalier des Grieux meets Manon he falls instantly in love with her and they escape together to Paris. But her feeling are soon tested when she's offered a life of wealth and luxury with Monsieur de Brétigny. Massenet's doomed lovers are sung by Lisette Oropesa and Michael Fabiano, and the sensuous score conducted by Maurizio Benini.

Presented from New York by Mary Jo Heath and Ira Siff.

Massenet: Manon
Manon.... Lisette Oropesa (soprano)
Le Chevalier des Grieux....Michael Fabiano (tenor)
Guillot de Morfontaine....Carlo Bosi (tenor)
Lescaut....Artur Ruciński (baritone)
Monsieur de Brétigny....Brett Polegato (baritone)
Le Comte des Grieux....Kwangchul Youn (bass)
Poussette, an actress....Jacqueline Echols (soprano)
Javotte, an actress....Laura Krumm (mezzo-soprano)
Rosette, an actress....Maya Lahyani (mezzo-soprano)
An Innkeeper....Paul Corona (bass-baritone)
Guardsman 1....Mario Bahg (tenor)
Guardsman 2....Jeongcheol Cha (baritone)
A Maid....Edyta Kulczak (mezzo-soprano)
Metropolitan Opera Chorus
Metropolitan Opera Orchestra
Maurizio Benini (conductor)

Lisette Oropesa stars as Manon, and Michael Fabiano is the besotted Chevalier des Grieux.

Programme presenting rare and fascinating operatic performances

Mozart - Cos\u00ec Fan Tutte20200307

When Don Alfonso overhears two military men, Ferrando and Guglielmo, boasting of their respective lovers' (sisters Fiordiligi and Dorabella) rock-solid fidelitly, he easily persuades them to put it to the test. And guess what? It doesn't take long after the two soldiers have apparently gone off to war before two Albanian brothers appear (Ferrando and Guglielmo, of course) who each successfully seduces each other's girlfriend.

As a plot it's not up to much. But the opera, whose cynically misogynist title translates as 'They're All Like That', has survived because it contains some of Mozart's greatest music, including unforgettable solo arias and ensembles wrapped up in some in wonderful orchestration. Mozart's achievement is to make us believe in these otherwise two-dimensional characters as flesh-and-blood human beings, subject to genuine and painful emotions.

As ever, The Met fields a starry international cast. Today's performance from the New York Metropolitan Opera House is presented by Mary Jo Heath and Ira Siff.

Mozart: Così fan tutte

Fiordiligi....Nicole Car (soprano)
Dorabella....Serena Malfi (soprano)
Despina....Heidi Stober (mezzo-soprano)
Ferrando....Ben Bliss (tenor)
Guglielmo…..Luca Pisaroni (bass-baritone)
Don Alfonso…..Gerald Finley (baritone)
New York Metropolitan Opera Orchestra
Harry Bicket (conductor)

They're all like that - or are they? Two tiresome men test their lovers' fidelity.

Programme presenting rare and fascinating operatic performances

Opera On 320131209

Verdi 200: The new Met season opens with Verdi's Rigoletto, based on Victor Hugo's play 'Le roi s'amuse'. The Duke of Mantua's hunchbacked jester Rigoletto has raised his daughter Gilda in seclusion from the world. When Count Monterone's daughter is seduced by the Duke, Rigoletto mocks him, causing Monterone to curse him. Then Gilda is also seduced by the Duke, and the curse begins to take terrible effect.

Presented by Margaret Juntwait with guest commentator Ira Siff.

Gilda - Sonya Yoncheva (soprano)

Maddalena - Oksana Volkova (contralto)

Duke of Mantua - Matthew Polenzani (tenor)

Rigoletto - Dmitri Hvorostovsky (baritone)

Sparafucile - Stefan Kocán (bass)

Countess Ceprano - Wallis Giunta (Mezzo-soprano)

Giovanna - Maria Zifchak (Soprano)

Monterone - Robert Pomakov (Bass)

Borsa - Alexander Lewis (Tenor)

Marullo - Jeff Mattsey (Baritone)

Ceprano - David Crawford (Baritone)

Page - Catherine Choi (Soprano)

Guard - Earle Patriarco (Baritone)

Chorus and Orchestra of The Metropolitan Opera, New York

Conducted by Pablo Heras-Casado.

Opera On 320131221

Britten 100

Presented by Margaret Juntwait.

Britten's adaptation of Shakespeare's magical romance returns to the Met for the first time in ten years, in celebration of the composer's centenary. James Conlon conducts the oustanding ensemble, which includes soprano Kathleen Kim and countertenor Iestyn Davies. Oberon, the fairy king and Tytania, his queen are locked in a conflict which spills over into the human world. Britten's atmospheric music adds an ethereal dimension.

Plus a short guide to the opera in Radio 3's Opera Guide to A Midsummer Night's Dream, with contributions from the soprano Dame Josephine Barstow and the Britten experts Paul Kildea and Philip Reed.

Oberon....Iestyn Davies (Countertenor)

Tytania....Kathleen Kim (Soprano)

Puck....Riley Costello (Actor)

Helena....Erin Wall (Soprano)

Hermia....Elizabeth Deshong (Mezzo)

Lysander....Joseph Kaiser (Tenor)

Demetrius....Michael Todd Simpson (Baritone)

Theseus....Ryan Mckinny (Baritone)

Hippolyta....Tamara Mumford (Mezzo)

Bottom....Matthew Rose (Bass)

Flute....Barry Banks (Tenor)

Snout....Scott Scully (Tenor)

Starveling....Evan Hughes (Bass-baritone)

Quince....Patrick Carfizzi (Baritone)

Snug....Paul Corona (Bass)

Cobweb....Seth Ewing-crystal (Treble)

Peaseblossom....Anthony Pedone (Treble)

MustardSeed....Benjamin Wenzelberg (Treble)

Moth....Thatcher Pitkoff (Treble)

Chorus, Children's Chorus and Orchestra of The Metroplitan Opera, New York

Conducted by James Conlon.

episode-b03lz724.jpg

Opera On 320140120

Anna Netrebko and Mariusz Kwiecien star as Tatiana and Onegin in Tchaikovsky's best-loved opera. When Tatiana is introduced to the dashing, unconventional Onegin, she believes that he is the hero of her dreams. But he carelessly rejects her - with tragic consequences. Tchaikovsky's fateful romance, based on the Pushkin play, is one of his most sumptuous scores.

Presented by Margaret Juntwait

Tatiana....Anna Netrebko (soprano)

Onegin....Marisuz Kwiecien (baritone)

Lenski....Piotr Beczala (tenor)

Olga....Oksana Volkova (mezzo-soprano)

Gremin....Alexei Tanovitsky (bass)

Mme Larina....Elena Zaremba (mezzo-soprano)

Filippyevna....Larissa Diadkova (mezzo-soprano)

Monsieur Triquet....John Graham Hall (tenor)

Zaretski....Richard Bernstein (bass)

Captain....David Crawford (bass-baritone)

Offstage voice....David Lowe (tenor)

New York Metropolitan Chorus and Orchestra,

Conducted by Valery Gergiev.

Opera On 320140203

Madama Butterfly, Puccini's tragic story of love, betrayal and clashing of two cultures, set in Nagasaki. Soprano Amanda Echalaz takes the title role as Cio-Cio-San, the young Japanese geisha who's deceived by the heartless American Naval officer Benjamin Franklin Pinkerton, sung by tenor Bryan Hymel. Philippe Auguin conducts the New York Metropolitan Opera House Chorus and Orchestra, in a version recorded last weekend.

Presented by Margaret Juntwait.

Cio-Cio San....Amanda Echalaz (Soprano)

Suzuki....Elizabeth De Shong (Mezzo-soprano)

Pinkerton....Bryan Hymel (Tenor)

Sharpless....Scott Hendricks (Baritone)

Goro....Scott Scully (Tenor)

Bonze....Ryan Speedo Green (Bass Baritone)

Kate Pinkerton....Maya Lahyani (Soprano)

Yamadori....Alexey Lavrov (Baritone)

Commissioner....Paul Corona (Bass)

Registrar....Juhwan Lee (Tenor)

Mother....Belinda Oswald (Soprano)

Cousin....Patricia Steiner (Mezzo-soprano)

Aunt....Jean Braham (Soprano)

Uncle Yakuside....Craig Montgomery (Tenor)

New York Metropolitan Opera Orchestra

New York Metropolitan Opera Chorus

Philippe Auguin (Conductor).

Opera On 320140210

From the New York Metropolitan Opera. The water nymph Rusalka falls in love with a Prince when he comes to swim in her lake. The witch Jezibaba agrees to let her become human, but warns her that if she doesn't find love she will be damned and the man she loves will die. In Dvorak's lyrical opera Renée Fleming reprises one of her signature roles as Rusalka with Piotr Beczala as her doomed Prince.

Presented by Margaret Juntwait and Ira Siff.

Rusalka....Renée Fleming (Soprano)

Foreign Princess....Emily Magee (Soprano)

Jezibaba....Dolora Zajick (Mezzo-soprano)

Prince....Piotr Beczala (Tenor)

Water Sprite....John Relyea (Bass)

Kitchen-Boy....Julie Boulianne (Mezzo-soprano)

Gamekeeper....Vladimir Chmelo (Cello)

1st Sprite....Disella Larusdottir (Soprano)

2nd Sprite....Renee Tatum (Mezzo-soprano)

3rd Sprite....Maya Lahyani (Mezzo-soprano)

Huntsman....Alexey Lavrov (Baritone)

New York Metropolitan Opera Chorus and Orchestra

Yannick Nézét-Séguin (Conductor).

Opera On 320140224

Presented by Margaret Juntwait.

Recorded last weekend at New York's Metropolitan Opera House, Der Rosenkavalier as part of our Strauss 150 celebrations. Based on Hofmannstahl's libretto, this bittersweet comic opera, Strauss's homage to Mozart and the Viennese waltz, poses deeper questions about how love is affected by the passing of time and by men's fickleness. Edward Gardner conducts the Met's orchestra and chorus, with a superb cast led by Martina Serafin as the Marschallin, Alice Coote as Octavian, in her Met debut role, Erin Morely as Sophie, and Peter Rose as Baron Ochs

Marschallin - Martina Serafin (Soprano)

Octavian - Alice Coote (Mezzo-soprano)

Sophie - Erin Morley (Soprano)

A Singer - Eric Cutler (Tenor)

Faninal - Hans-Joachim Ketelsen (Baritone)

Baron Ochs - Peter Rose (Bass)

Marianne Leitmetzerin - Jennifer Check (Soprano)

Annina - Jane Henschel (Contralto)

Valzacchi - Wolfgang Ablinger-Sperrhacke (Bass)

Police Commissar - Richard Bernstein (Bass)

Major-Domo I - Bernard Fitch (Tenor)

Major-Domo II - Ronald Naldi (Tenor)

Innkeeper - Tony Stevenson (Tenor)

Notary - James Courtney (Bass)

Milliner - Stephanie Chigas (Mezzo-soprano)

Animal vendor - Kurt Phinney (Tenor)

Leopold - Stephen Paynter (Baritone)

Lackey 1 - Dustin Lucas (Tenor)

Lackey 2 - Jason Hendrix (Baritone)

Lackey 3 - Craig Montgomery (Tenor)

Orphan - Maria D'amato (Soprano)

New York Metropolitan Opera Chorus and Orchestra

Edward Gardner (conductor).

Opera On 320140317

Massenet: Werther from the New York Metropolitan Opera

When he meets Charlotte the poet Werther falls instantly in love with her, but she is promised to another, and tells him he must leave. When he comes back a few months later she's married, but realises she loves him too. Telling him they can never meet again, Werther decides he can't live without her. Jonas Kaufmann sings the troubled poet Werther at the Met for the first time, with Sophie Koch as the woman he falls for but can't have.

Presented by Margaret Juntwait and Ira Siff

Werther - Jonas Kaufmann (tenor)

Charlotte - Sophie Koch (mezzo-soprano)

Sophie - Lisette Oropesa (soprano)

Albert - David Bižic (baritone)

La Bailli - Jonathan Summers (bass)

Metropolitan Opera Orchestra

Alain Altinoglu (conductor)

Live at Southbank Centre: Radio 3 is broadcasting live from a pop-up studio at London's Southbank Centre all day every day for the last two weeks of March. If you're in the area, visit the Radio 3 studio and performance space in the Royal Festival Hall Riverside Café to listen to Radio 3, ask questions and enjoy the special events.

Opera On 320140421

As part of Strauss 150, tonight's opera is a performance of Richard Strauss's nostalgic romance Arabella, with the title role sung by Swedish soprano Malin Bystrom. The story tells of the impoverished Count Waldner, sung by bass Martin Winkler, who tries to make a profitable marriage for his daughter Arabella. After several complications, she is finally happily betrothed to Mandryka, and her younger sister Zdenka, sung by Juliane Banse to Arabella's former admirer Mattea, tenor Roberto Sacca. Philippe Auguin conducts the New York Metropolitan Opera House Chorus and Orchestra, in a performance recorded last weekend.

Presented by Margaret Juntwait.

Arabella....Malin Bystrom (Soprano)

Zdenka....Juliane Banse(Soprano)

Mattea....Roberto Sacca (Tenor)

Mandryka....Michael Volle (Baritone)

Waldner....Martin Winkler (Bass-baritone)

Fiakermilli....Audrey Luna (Soprano)

Adelaide....Catherine Wyn-Rogers (Mezzo-soprano)

Fortune-Teller....Victoria Livengood (Contralto)

Elemer....Brian Jagde (Tenor)

Dominik....Alexey Lavrov (Baritone)

Lamoral....Keith Miller (Bass)

Waiter....Mark Schowalter (Tenor)

Welko....Mark Persing (Tenor)

Djura....Jeffrey Mosher (Spoken)

Jankel....Timothy Breese Miller (Bass)

Cardplayer....Scott Dispensa (Baritone)

Cardplayer 2....Seth Malkin (Bass)

Cardplayer 3....Earle Patriarco (Baritone)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

Philippe Auguin (Conductor).

Opera On 320150202

The poet Hoffmann is in a tavern waiting for his love, Stella to return from singing the star role in an opera. He tells the stories of his past three loves, all of which have ended in disaster; the mechanical doll Olympia who gets ripped apart, Antonia who sings herself to death, and the courtesan Giulietta who steals Hoffmann's reflection. When Stella finally arrives, Hoffmann is drunk and she leaves with Lindorf, Hoffmann's rival for her affections.

Vittorio Grigolo sings the tortured poet, and the three heroines are played by Erin Morley, Hibla Gerzmava and Christine Rice. Thomas Hampson sings the Four Villains, and Yves Abel conducts Offenbach's sparkling score.

Presented from the Met by Mary Jo Heath and Ira Siff.

Olympia....Erin Morley (Soprano)

Antonia/Stella....Hibla Gerzmava (Soprano)

Giulietta....Christine Rice (Mezzo-soprano)

Nicklausse....Kate Lindsey (Mezzo-soprano)

Hoffmann....Vittorio Grigolo (Tenor)

Four Villains....Thomas Hampson (Baritone)

New York Metropolitan Opera Orchestra

New York Metropolitan Opera Chorus

Yves Abel (Conductor).

Opera On 320150209

Presented by Mary Jo Heath. Verdi's Macbeth recorded last autumn at the New York's Met with Anna Netrebko taking her first ever portrayal of Lady Macbeth on stage, and Zeljko Lucic as Macbeth, in the celebrated Scottish tale of madness, murder and revenge - the first of Verdi's settings of Shakespearean dramas. Joseph Calleja is Macduff and Rene Pape is Banquo. Fabio Luisi conducts the Metropolitan Opera House chorus and orchestra.

Macbeth....Zeljko Lucic (Baritone)

Lady Macbeth....Anna Netrebko (Soprano)

Macduff....Joseph Calleja (Tenor)

Banquo....Rene Pape (Bass)

Lady-in-waiting....Claudia Waite (Soprano)

Doctor....James Courtney (Bass)

Assasin....Richard Bernstein (Bass)

New York Metropolitan Opera Orchestra

New York Metropolitan Opera Chorus

Fabio Luisi (Conductor).

Opera On 320150216

After successful performances at the New York Met singing Tatiana in Eugene Onegin, soprano Anna Netrebko takes on another Tchaikovsky role. This time it is the title role in Iolanta. She is the beautiful blind girl who experiences love for the first time in Tchaikovsky's lyrical fairy tale opera. The second part of this double bill is the intense drama of Bartok's Bluebeard's Castle. Nadja Michael sings the role of Judith. She is the new wife and unwitting victim of Bluebeard, sung in this production by Mikhail Petrenko. Judith persuades Bluebeard to open seven doors in his castle. Behind each door she finds increasingly disturbing sights, until the final door opens to reveal the castle's secret and her fate.

Valery Gergiev conducts the Metropolitan Opera House chorus and orchestra.

Presented by Mary Jo Heath and Ira Siff.

Iolanta:

Iolanta....Anna Netrebko (Soprano)

Count Vaudemont....Piotr Beczala (Tenor)

Rene....Alexei Tanovitsky (Bass)

Robert....Alexey Markov (Baritone)

Almeric....Keith Jameson (Tenor)

Marta....Mzia Nioradze (Mezzo-soprano)

Brigitta....Katherine Whyte (Soprano)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

Valery Gergiev (Conductor)

Bluebeard's Castle

Bluebeard....Mikhail Petrenko (Bass)

Judith....Nadja Michael (Soprano)

Opera On 320150309

Tonight's recording from the New York Metropolitan Opera is Bizet's Carmen. Don Jose falls hopelessly in love with the wild gypsy, Carmen. When she tires of him and just wants to be free, it's too much for him to bear and he stabs her. Elina Garanca sings the title role of the ill-fated temptress, and Yonghoon Lee her desperate lover. Louis Langrée conducts.

Presented by Mary Jo Heath and Ira Siff.

Carmen....Elina Garanca (soprano)

Don José....Yonghoon Lee (tenor)

Micaëla....Ailyn Pérez (soprano)

Escamillo....Gábor Bretz (bass-baritone)

Mercédès...Ginger Costa-Jackson (mezzo-soprano)

Frasquita...Danielle Talamantes (soprano)

Moralès....Trevor Scheunemann (baritone)

Remendado...Keith Jameson (tenor)

Zuniga...Richard Bernstein (bass)

The New York Metropolitan Opera Chorus and Orchestra

Louis Langrée (conductor).

Opera On 320150323

Manon is Massenet's best known and most popular opera, and is based on Prevost's novel L'histoire du chevalier des Grieux et de Manon Lescaut. It tells the story of the impulsive Manon, soprano Diana Damrau, who falls in love with the young student des Grieux, sung by tenor Vittorio Grigolo. Manon longs for luxury and excitement, and she foolishly cannot resist when the rich nobleman De Brétigny wants to make her his mistress. Her choice of wealth over love ultimately seals her fate. Diana Damrau sings her first Met performances of Manon, with tenor Vittorio Grigolo as the betrayed lover. The New York Metropolitan Opera Orchestra is conducted by Emmanuel Villaume, in the production by Laurent Pelly.

Presented by Mary Jo Heath and Ira Siff

Manon Lescaut....Diana Damrau (Soprano)

Le Chevalier des Grieux....Vittorio Grigolo (Tenor)

Lescaut....Russell Braun (Baritone)

Le Comte des Grieux....Nicolas Teste (Bass Baritone)

Guillot Morfontaine....Christophe Mortagne (Tenor)

Monsieur de Bretigny....Dwayne Croft (Baritone)

First Guard....John McVeigh (Tenor)

Second Guard....David Won (Baritone)

A Maid....Kathryn Day (Mezzo-soprano)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

Emmanuel Villaume (Conductor).

Opera On 320150330

Presented by Mary Jo Heath and recorded live at the Met in New York, Donizetti's Lucia di Lammermoor Albina Shagimuratova in the title role. Joseph Calleja is her doomed lover Edgardo in this Scottish tale of madness and deception, based on a novel by Sir Walter Scott. The Metropolitan Opera Chorus and Orchestra is led by Maurizio Benini in this production by Mary Zimmerman.

Lucia....Albina Shagimuratova (Soprano)

Edgardo....Joseph Calleja (Tenor)

Enrico....Luca Salsi (Baritone)

Arturo....Matthew Plenk (Tenor)

Raimondo....Alastair Miles (Bass)

Alisa....Theodora Hanslowe (Soprano)

Normanno....Eduardo Valdes (Tenor)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

Maurizio Benini (Conductor).

Opera On 320150406

Tonight's opera recorded at the New York Metropolitan Opera has the one of the implausible plots of all Verdi opera. Ernani is a melodramatic love story set in 16th-century Spain and based on a play by Victor Hugo. Elvira, sung by soprano Angela Meade, is being pursued by three men: her uncle and guardian, Don Ruy Gómez de Silva, an old Spanish grandee sung by the bass Dimitry Belosselskiy; Don Carlo, the King of Spain, is sung by Luca Salsi who replaces Placido Domingo who is ill. Ernani, sung by tenor Francesco Meli, who has lost his title and wealth during a civil war and has become a very suave bandit. The plot is contrived but just at the end, when things seem to be turning out well for Ernani and Elvira, the story takes a turn for the worst and ends in tragedy. James Levine conducts the New York Metropolitan Opera Orchestra and Chorus in his first Met production of Ernani since 1983.

Ernani....Francesco Meli (Tenor)

Don Carlo....Luca Salsi (Baritone)

Elvira....Angela Meade (Soprano)

De Silva....Dimitry Belosselskiy (Bass)

New York Metropolitan Opera Orchestra

New York Metropolitan Opera Chorus

James Levine (Conductor).

Opera On 320150420

Shostakovich's opera Lady Macbeth of Mtsensk tells a tragic tale of adultery and murder as the bored and lonely heroine Katerina, sung by soprano Eva-Maria Westbroek, falls in love with one of her husband's workers, Sergei, tenor Brandon Jovanovich. Her treachery leads to a gruesome series of horrendous murders and ultimately to her end. Soprano Eva-Maria Westbroek leads a highly acclaimed cast, and her performance in the role of Katerina has been described as 'overwhelming', and tenor Brandon Jovanovich as 'an ideal Sergei'. The New York Metropolitan Opera Orchestra and Chorus are conducted by James Conlon

Presented by Mary Jo Heath and Ira Siff

Katerina Izmailova....Eva-Maria Westbroek (Soprano)

Sergei....Brandon Jovanovich (Tenor)

Boris Izmailov....Anatoli Kotscherga (Baritone)

Zinoviy Izmailov....Raymond Very (Tenor)

Aksinya....Holli Harrison (Soprano)

Tattered Peasant....Allan Glassman (Baritone)

Steward....Rod Nelman (Bass)

Porter....Brandon Cedel (Bass)

First Workman....Kurt Phinney (Tenor)

Second Workman....Daniel Clark Smith (Tenor)

Priest....Mikhail Kolelishvili (Bass)

Policeman....Vladimir Ognovenko (Bass)

Policeman....Earle Patriarco (Baritone)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

James Conlon (Conductor).

Opera On 320160123

James Levine conducts Tannhäuser, Wagner's early masterpiece, in its first return to the Metropolitan Opera in more than a decade. One of today's leading Wagnerian tenors, Johan Botha, takes on the title role of the young troubadour knight who is torn between spiritual love and carnal desire. Wagner's opulent score melds together the worlds of the sacred and profane.

Tannhauser, having been charmed by love goddess, Venus, comes to his senses and returns to his mortal love, the chaste heroine Elisabeth. However he sings of passionate rather than courtly love, which shocks her and her community. He promises to seek atonement and redemption, but the illicit attraction of Venus continues to beckon.

Presented live from the Metropolitan Opera, New York by Mary-Jo Heath with commentary by Ira Siff.

Wagner: Tannhäuser

Elisabeth....Eva-Maria Westbroek (soprano)

Tannhäuser....Johan Botha (tenor)

Venus....Michelle DeYoung (mezzo-soprano)

A young shepherd....Ying Fang (soprano)

Hermann, Landgraf of Thuringia....Günther Groissböck (bass)

Walther von der Vogelweide....Noah Baetge (tenor)

Biterolf....Ryan McKinny (bass-baritone)

Wolfram von Eschenbach....Peter Mattei (baritone)

Heinrich der Schreiber....Adam Klein (tenor)

Reinmar von Zweter....Ricardo Lugo (bass)

Page....Daniel Katzman (treble)

Page....Connor Tsui (treble)

Page....Michael Graham (treble)

Page....Thomas White (treble)

Page....Ruby Gilmore (soprano)

Page....Emma Kramer (soprano)

Page....Andre Gulick (treble)

Page....Brandon Harnett (treble)

Three Graces....Mary Beth Hansohn, Maria Luiza Luisi, Sarah Weber-Gallo

Orchestra and Chorus of the Metropolitan Opera, New York

James Levine (conductor).

Opera On 320160227

From the Metropolitan Opera in New York, Berg's dramatic twelve-tone opera Lulu. Marlis Petersen sings Berg's complex heroine who sexually and emotionally dominates every character she comes into contact with. Working her way through three husbands and numerous lovers, including a Painter, a Prince and a Countess, Lulu eventually becomes a prostitute and is murdered by one of her clients, Jack the Ripper. Marlis Petersen lead a top cast including Susan Graham, Paul Groves and Johan Reuter, conducted by Lothar Koenigs.

Presented by Mary Jo Heath and Ira Siff.

Recorded on 21st November 2015.

Berg: Lulu

Lulu - Marlis Petersen (soprano)

Countess Geschwitz - Susan Graham (mezzo-soprano)

Alwa, Dr. Schön's son - Daniel Brenna (tenor)

Painter/African Prince - Paul Groves (tenor)

Dr Schön/Jack the Ripper - Johan Reuter (bass-baritone)

Animal trainer/Acrobat - Martin Winkler (baritone)

Schigolch - Franz Grundheber (baritone)

Wardrobe mistress/Schoolboy/Page - Elizabeth DeShong (mezzo-soprano)

Prince/Manservant/Marquis - Alan Oke (baritone)

Theatre manager/Banker - Julian Close (bass)

Fifteen-year-old girl - Ashley Emerson (soprano)

Her mother - Jane Shaulis (mezzo-soprano)

Designer - Kathryn Day (mezzo-soprano)

Journalist - Tyler Duncan (baritone)

Servant - Paul Corona (bass)

Physician/Professor/Police Commissioner - James Courtney (bass-baritone)

Solo performers - Joanna Dudley, Andrea Fabi

The Chorus of the Metropolitan Opera, New York

The Orchestra of the Metropolitan Opera, New York

Lothar Koenigs (conductor).

Opera On 320161210

From the Metropolitan Opera House in New York, Kaija Saariaho's first opera, L'Amour de loin. Set in 12th-century Aquitaine, Jaufré is a prince-troubadour who has tired of the pleasures of life and longs for a profound love. A pilgrim tells him he met a woman in Tripoli called Clémence who feels the same way. On hearing about each other, both Jaufré and Clémence dream of this 'love from afar'.

With a mixture of dissonance, electronic sounds and medieval troubadour songs, L'Amour de loin is performed by a cast comprising Eric Owens, Tamara Mumford and Susanna Phillips and conducted by Susanna Malkki.

Jaufré Rudel - Eric Owens (baritone)

The Pilgrim - Tamara Mumford (mezzo-soprano)

Clémence - Susanna Phillips (soprano)

New York Metropolitan Opera Orchestra

New York Metropolitan Opera Chorus

Susanna Malkki (conductor).

Opera On 320161217

Salome by Richard Strauss, from the Met, with Patricia Racette in the title role. Pesented by Mary Jo Heath and Ira Siff.

Salome....Patricia Racette (soprano)

Herodias - Nancy Fabiola Herrera (mezzo-soprano)

Herod - Gerhard Siegel (tenor)

Narraboth - Kang Wang (tenor)

Jochanaan - Zeljko Lucic (baritone)

Herod's Page - Carolyn Sproule (contralto)

First Jew - Alan Glassman (tenor)

First Nazarene - Mikhail Petrenko (bass)

First Soldier - Nicholas Brownlee (bass)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

Johannes Debus (Conductor)

Richard Strauss's revolutionary score and scandalous Oscar Wilde-inspired drama took the world by storm at its premiere and continues to impress audiences today by its concentrated power and emotional intensity. Patricia Racette makes her Met debut in the tour-de-force role of Salome, part innocent and part sexual predator.

Opera On 320170318

Rossini's epic telling of the William Tell fable returns to the Met stage after an absence of more than 80 years, in a new production by Pierre Audi recorded last autumn. Gerald Finley sings one of his signature roles as Tell, the revolutionary on a quest for freedom. Marina Rebeka is Mathilde and Bryan Hymel is her suitor, Arnold. Fabio Luisi conducts Rossini's final, crowning operatic achievement.

Presented in New York by Mary Jo Heath

Rossini: Guillaume Tell

Guillaume Tell....Gerald Finley (baritone)

Mathilde....Marina Rebeka (soprano)

Jemmy....Janai Brugger (soprano)

Hedwige....Maria Zifchak (soprano)

Arnold von Melcthal....Bryan Hymel (tenor)

Melcthal....Kwangchul Youn (bass)

Gesler....John Relyea (bass)

Walter Furst....Marco Spotti (bass)

Ruodi....Michele Angelini (tenor)

Leuthold....Michael Todd Simpson (bass)

Rodolphe....Sean Panikkar (tenor)

A Huntsman....Ross Benoliel (baritone)

Metropolitan Opera Chorus and Orchestra

Fabio Luisi (conductor).

Opera On 320170408

Tonight's opera from the Met is Wagner's tale of doomed love, Tristan and Isolde. Isolde has been promised to King Marke in marriage, and she and her handmaid Brangäne are being transported to his home in Cornwall. In charge of the ship is Tristan, who killed Isolde's previous fiancé. Isolde wants revenge, and prepares a poison for them both to drink, but she hasn't counted on Brangäne, who switches it for a love potion.

A cast of outstanding Wagnerians include Nina Stemme as Isolde, Stuart Skelton as Tristan, Ekaterina Gubanova as Brangäne, and René Pape as King Marke, with Sir Simon Rattle conducting, in one of his rare appearances at the Met.

Presented by Mary Jo Heath and Ira Siff.

Tristan....Stuart Skelton (tenor)

Isolde....Nina Stemme (soprano)

Brangäne....Ekaterina Gubanova (mezzo)

Kurwenal....Evgeny Nikitin (baritone)

Marke....Rene Pape (bass)

Melot....Neal Cooper (tenor)

A Shepherd....Alex Richardson (tenor)

A Steersman....David Crawford (bass baritone)

Sailor's voice....Tony Stevenson (tenor)

New York Metropolitan Opera Chorus

New York Metropolitan Opera Orchestra

Simon Rattle (Conductor).

Pell\u00e9as Et M\u00e9lisande20190119

"

Tonight's opera from the Met is Debussy’s strange and seductive Pelleas et Melisande. Prince Golaud finds a mysterious young woman lost in the forest, and marries her. But when Melisande meets his younger half-brother Pelleas, she finds herself irresistibly drawn to him, with tragic results. Young Met stars, tenor Paul Appleby and mezzo-soprano Isabel Leonard, are the naïve title lovers, and baritone Kyle Ketelsen is the imperious Prince Golaud.

Presented from the Met by Mary Jo Heath and Ira Siff.

Debussy Pelleas et Melisande.
Mélisande....Isabel Leonard (Soprano)
Geneviève....Marie-Nicole Lemieux (Contralto)
Pelléas....Paul Appleby (Tenor)
Golaud....Kyle Ketelsen (Baritone)
Arkel....Ferruccio Furlanetto (Bass)
Doctor....Paul Corona (Bass)
Shepherd....Jeremy Galyon (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Yannick Nezet-Seguin (Conductor)

Paul Appleby and Isabel Leonard sing the doomed lovers in Pelleas et Melisande

Programme presenting rare and fascinating operatic performances"

Puccini's Il Trittico20181208

"

Tonight's opera from the Met is Puccini's triple bill in a performance to mark the centenary of the work's world premiere at the Met. Tenor Marcelo À?lvarez and soprano Amber Wagner are the illicit lovers of Il Tabarro; soprano Kristine Opolais sings the shattering title role of Suor Angelica; and the ageless Plácido Domingo takes an unusual comedic turn in the baritone title role of Gianni Schicchi.

Presented from the Met by Mary Jo Heath and Ira Siff.

Puccini: Il Tabarro
Giorgetta….. Amber Wagner (soprano)
La Frugola….., Stephanie Blythe (mezzo-soprano)
Luigi ….. Marcelo À?lvarez (tenor)
Michele….. George Gagnidze (baritone)
Il 'Talpa' ….. Maurizio Muraro (bass)
Il Tinca ….. Tony Stevenson (tenor)
Song-seller….. Brian Michael Moore (tenor)
One of two lovers….. Ashley Emerson (soprano)
The second of two lovers Yi Li (tenor)

Suor Angelica
Sister Angelica….. Kristine Opolais(soprano)
Sister Genovieffa….. Maureen McKay (soprano)
The Princess….. Stephanie Blythe (contralto)
The Monitor….. MaryAnn McCormick (mezzo-soprano)
The Mistress of the Novices….. Jane Shaulis (mezzo-soprano)
The Nursing Sister….. Megan Marino (mezzo-soprano)
The Abbess….. Lindsay Ammann (mezzo-soprano)
Alms collector….. Leah Hawkins (soprano)
Alms collector 2….. Cassandra Zoé Velasco (soprano)
Lay Sister 1 Stacey Tappan (soprano)
Lay Sister 2….. Edyta Kulczak (soprano)
Novice 1….. Jessica Faselt (soprano)
Novice …..2 Sandra Piques Eddy (soprano)
Sister Dolcina….. Sharon Azrieli (soprano)
Sister Osmina….. Rosalie Sullivan (mezzo-soprano)
Sister Lucilla….. Elizabeth Brooks (mezzo-soprano)
First of the three Sisters …..Anne Nonnemacher (soprano)
Second of the three Sisters….. Marie Te Hapuku (mezzo-soprano)
Third of the three Sisters….. Meredith Woodend (contralto)
A Sister Maria D'Amato (soprano)

Gianni Schicchi
Lauretta….. Kristina Mkhitaryan (soprano)
Rinuccio….. Atalla Ayan (tenor)
Gianni Schicchi….. Plácido Domingo (baritone)
Nella, Gherardo's wife….. Gabriella Reyes de Ramírez (soprano)
La Ciesca….. Lindsay Ammann (mezzo-soprano)
Zita….. Stephanie Blythe (contralto)
Gherardo….. Tony Stevenson (tenor)
Marco…..Jeff Mattsey (baritone)
Simone….. Maurizio Muraro (bass)
Betto di Signa….. Patrick Carfizzi (bass)
Maestro Spinelloccio….. Kevin Burdette (bass)
Amantio di Nicolao….. Philip Cokorinos (baritone)
Pinellino….. Scott Conner (bass)
Guccio….. Christian Zaremba (bass)

Puccini's triple bill from the New York Metropolitan Opera

Programme presenting rare and fascinating operatic performances"

Tonight's opera from the Met is Puccini's triple bill in a performance to mark the centenary of the work's world premiere at the Met. Tenor Marcelo Álvarez and soprano Amber Wagner are the illicit lovers of Il Tabarro; soprano Kristine Opolais sings the shattering title role of Suor Angelica; and the ageless Plácido Domingo takes an unusual comedic turn in the baritone title role of Gianni Schicchi.

Presented from the Met by Mary Jo Heath and Ira Siff.

Puccini: Il Tabarro
Giorgetta….. Amber Wagner (soprano)
La Frugola….., Stephanie Blythe (mezzo-soprano)
Luigi ….. Marcelo Álvarez (tenor)
Michele….. George Gagnidze (baritone)
Il 'Talpa' ….. Maurizio Muraro (bass)
Il Tinca ….. Tony Stevenson (tenor)
Song-seller….. Brian Michael Moore (tenor)
One of two lovers….. Ashley Emerson (soprano)
The second of two lovers Yi Li (tenor)

Suor Angelica
Sister Angelica….. Kristine Opolais(soprano)
Sister Genovieffa….. Maureen McKay (soprano)
The Princess….. Stephanie Blythe (contralto)
The Monitor….. MaryAnn McCormick (mezzo-soprano)
The Mistress of the Novices….. Jane Shaulis (mezzo-soprano)
The Nursing Sister….. Megan Marino (mezzo-soprano)
The Abbess….. Lindsay Ammann (mezzo-soprano)
Alms collector….. Leah Hawkins (soprano)
Alms collector 2….. Cassandra Zoé Velasco (soprano)
Lay Sister 1 Stacey Tappan (soprano)
Lay Sister 2….. Edyta Kulczak (soprano)
Novice 1….. Jessica Faselt (soprano)
Novice …..2 Sandra Piques Eddy (soprano)
Sister Dolcina….. Sharon Azrieli (soprano)
Sister Osmina….. Rosalie Sullivan (mezzo-soprano)
Sister Lucilla….. Elizabeth Brooks (mezzo-soprano)
First of the three Sisters …..Anne Nonnemacher (soprano)
Second of the three Sisters….. Marie Te Hapuku (mezzo-soprano)
Third of the three Sisters….. Meredith Woodend (contralto)
A Sister Maria D'Amato (soprano)

Gianni Schicchi
Lauretta….. Kristina Mkhitaryan (soprano)
Rinuccio….. Atalla Ayan (tenor)
Gianni Schicchi….. Plácido Domingo (baritone)
Nella, Gherardo's wife….. Gabriella Reyes de Ramírez (soprano)
La Ciesca….. Lindsay Ammann (mezzo-soprano)
Zita….. Stephanie Blythe (contralto)
Gherardo….. Tony Stevenson (tenor)
Marco…..Jeff Mattsey (baritone)
Simone….. Maurizio Muraro (bass)
Betto di Signa….. Patrick Carfizzi (bass)
Maestro Spinelloccio….. Kevin Burdette (bass)
Amantio di Nicolao….. Philip Cokorinos (baritone)
Pinellino….. Scott Conner (bass)
Guccio….. Christian Zaremba (bass)

Puccini's La Fanciulla Del West20181222

"

A mining town during the American gold rush of 1849: perhaps an unlikely setting for an Italian opera, but one that has a happy ending! Puccini's La Fanciulla del West, the Girl of the Golden West, tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit. Puccini wrote the romantic leads for two great singers: Enrico Caruso and Emmy Destin, but the roles in this Met performance are sung by two contemporary great singers: Eva-Maria Westbroek and Jonas Kaufmann.

Presented by Mary Jo Heath in conversation with Ira Siff.

Minnie....Eva-Maria Westbroek (Soprano)
Dick Johnson (Ramerrez)....Jonas Kaufmann (Tenor)
Jack Rance....Zeljko Lucic (Baritone)
Nick....Carlo Bosi (Tenor)
Sonora....Michael Todd Simpson (Baritone)
Ashby....Matthew Rose (Bass)
Jake Wallce....Oren Gradus (Bass)
Wowkle....MaryAnn Mccormick (Mezzo-soprano)
Trin....Eduardo Valdes (Tenor)
Harry....Alok Kumar (Main Artist)
Joe....Scott Scully (Tenor)
Postiglione....Ian Kozlara (Tenor)
Sid....Jeongcheoi Cha (Baritone)
Bellow....Richard Bernstein (Baritone)
Harry....Joseph Barron (Tenor)
Jim Larkens....Adrian Timpau (Baritone)
Billy Jackrabbit....Philip Cokorinos (Tenor)
Jose Castro....Kidon Choi (Baritone)
New York Metropolitan Opera Orchestra (Main Artist
New York Metropolitan Opera Chorus
Marco Armiliato (Conductor)

For full synopsis visit the programme page

Puccini's La Fanciulla del West, starring Eva-Maria Westbroek and Jonas Kaufmann.

Programme presenting rare and fascinating operatic performances

A mining town during the American gold rush of 1849: perhaps an unlikely setting for an Italian opera, but one that has a happy ending! Puccini's La Fanciulla del West, the Girl of the Golden West, tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit. Puccini wrote the romantic leads for two great singers: Enrico Caruso and Emmy Destin, but the roles in this Met performance are sung by two contemporary great singers: Eva-Maria Westbroek and Jonas Kaufmann.

Presented by Mary Jo Heath in conversation with Ira Siff.

Minnie....Eva-Maria Westbroek (Soprano)
Dick Johnson (Ramerrez)....Jonas Kaufmann (Tenor)
Jack Rance....Zeljko Lucic (Baritone)
Nick....Carlo Bosi (Tenor)
Sonora....Michael Todd Simpson (Baritone)
Ashby....Matthew Rose (Bass)
Jake Wallce....Oren Gradus (Bass)
Wowkle....MaryAnn Mccormick (Mezzo-soprano)
Trin....Eduardo Valdes (Tenor)
Harry....Alok Kumar (Main Artist)
Joe....Scott Scully (Tenor)
Postiglione....Ian Kozlara (Tenor)
Sid....Jeongcheoi Cha (Baritone)
Bellow....Richard Bernstein (Baritone)
Harry....Joseph Barron (Tenor)
Jim Larkens....Adrian Timpau (Baritone)
Billy Jackrabbit....Philip Cokorinos (Tenor)
Jose Castro....Kidon Choi (Baritone)
New York Metropolitan Opera Orchestra (Main Artist
New York Metropolitan Opera Chorus
Marco Armiliato (Conductor)

"

A mining town during the American gold rush of 1849: perhaps an unlikely setting for an Italian opera, but one that has a happy ending! Puccini's La Fanciulla del West, the Girl of the Golden West, tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit. Puccini wrote the romantic leads for two great singers: Enrico Caruso and Emmy Destin, but the roles in this Met performance are sung by two contemporary great singers: Eva-Maria Westbroek and Jonas Kaufmann.

Presented by Mary Jo Heath in conversation with Ira Siff.

Minnie....Eva-Maria Westbroek (Soprano)
Dick Johnson (Ramerrez)....Jonas Kaufmann (Tenor)
Jack Rance....Zeljko Lucic (Baritone)
Nick....Carlo Bosi (Tenor)
Sonora....Michael Todd Simpson (Baritone)
Ashby....Matthew Rose (Bass)
Jake Wallce....Oren Gradus (Bass)
Wowkle....MaryAnn Mccormick (Mezzo-soprano)
Trin....Eduardo Valdes (Tenor)
Harry....Alok Kumar (Main Artist)
Joe....Scott Scully (Tenor)
Postiglione....Ian Kozlara (Tenor)
Sid....Jeongcheoi Cha (Baritone)
Bellow....Richard Bernstein (Baritone)
Harry....Joseph Barron (Tenor)
Jim Larkens....Adrian Timpau (Baritone)
Billy Jackrabbit....Philip Cokorinos (Tenor)
Jose Castro....Kidon Choi (Baritone)
New York Metropolitan Opera Orchestra (Main Artist
New York Metropolitan Opera Chorus
Marco Armiliato (Conductor)

Photo credit: Ken Howard / Met Opera
For full synopsis visit the programme page

Richard Strauss's Der Rosenkavalier20200104

Richard Strauss's bittersweet comic opera Der Rosenkavalier was one of the greatest artistic partnerships between the composer and the playwright Hugo von Hofmannsthal. In this production conducted by Sir Simon Rattle, soprano Camilla Nylund stars as the Marschallin and mezzo Magdalena Kožená as her young lover Octavian. Knowing their love will end, they plot together to save Sophie von Faninal (soprano Golda Schultz ) from a loveless marriage to the philandering Baron Ochs, sung tonight by the bass Gunther Groissbock .

Presented by Mary Jo Heath with commentary by Ira Siff.

The Marschallin.....Camilla Nylund (Soprano)
Octavian.....Magdalena Kožená (Mezzo-soprano)
Sophie von Faninal.....Golda Schultz (Soprano)
Annina.....Katharine Goeldner (Mezzo-soprano)
An Italian singer.....Matthew Polenzani (Tenor)
Valzacchi.....Thomas Ebenstein (Tenor)
Herr von Faninal.....Markus Eiche (Baritone)
Baron Ochs.....Gunther Groissbock (Bass)
Mariane Leitmetzerin.....Alexandra Lobianco (Soprano
Police Inspector.....Scott Conner (Baritone)
Major Domo I.....Scott Scully (tenor)
Major Domo II.....Mark Schowalter (Singer)
Innkeeper.....Tony Stevenson (Tenor)
Notary.....James Courtney (Bass)
New York Metropolitan Opera Chorus
Donald Palumbo (Chorus director)
New York Metropolitan Opera Orchestra
Simon Rattle (Conductor)

Simon Rattle conducts Der Rosenkavalier, starring Camilla Nylund and Magdalena Kozena.

Programme presenting rare and fascinating operatic performances

Saint-saens's Samson Et Dalila20190323

Saint-Saëns’s biblical epic Samson et Dalila, starring Anita Rachvelishvili and Aleksandrs Antonenko, conducted by Mark Elder.

Presented by Mary Jo Heath, with commentary by Ira Siff.

Dalila....Anita Rachvelishvili (Mezzo-soprano)
Samson....Aleksandrs Antonenko (Tenor)
High Priest of Dagon....Laurent Naouri (Baritone)
Abimelech....Tomasz Konieczny (Bass)
Old Hebrew....Gunther Grolssbock (Bass)
First Philistine....Eduardo Valdes (Tenor)
Second Philistine....Jeongcheol Cha (Bass Baritone)
Messenger....Scott Scully (Tenor)
New York Metropolitan Opera Chorus
New York Metropolitan Opera Orchestra
Mark Elder (Conductor)

The source of this popular opera is a single chapter in the biblical Book of Judges, but the brevity of the tale did nothing to prevent it from becoming one of the world’s great stories of love - or at least passion - betrayed.

For full synopsis please visit the programme page
Photo credit: Ken Howard

Saint-Saens's Samson et Dalila, starring Anita Rachvelishvili and Aleksandrs Antonenko.

Programme presenting rare and fascinating operatic performances

Tchaikovsky's The Queen of Spades20191214

Pushkin's short story of avarice inspired some of Tchaikovsky's greatest music, full of psychological insight, drama and tension. Late 18th-century St Petersburg: an impoverished army officer determines to find the secret of the cards and thus both ensure a wealthy future and guarantee his illicit lover Lisa's hand in marriage. But Herman's addiction to gambling quickly becomes an uncontrollable and all-consuming obsession. Convinced that Lisa's grandmother, an elderly countess, knows the mysterious winning combination of cards, she dies of fright as he threatens her with a pistol. It's not long before Lisa and then Herman himself are both dead by their own hands.

As ever, the Met fields a starry international cast, including soprano-of-the-moment Norwegian Lise Davidsen.

Presented from the Met by Mary Jo Heath and commentator Ira Siff.

Tchaikovsky: The Queen of Spades

Lisa.....Lise Davidsen (Soprano)
Pauline.....Elena Maximova (Mezzo-soprano)
Herman.....Yusif Eyvazov (Tenor)
Prince Yeletsky.....Igor Golovatenko ( Baritone)
Count Tomsky.....Alexey Markov (Baritone)
Chloe.....Mane Galoyan (Soprano)
Masha.....Leah Hawkins (Soprano)
Governess.....Jill Grove (Mezzo-soprano)
Chekalinsky.....Paul Groves (Tenor)
Chaplitsky.....Arseny Yakovlev (Tenor)
Master of Ceremonies.....Eduardo Valdes (Tenor)
Surin.....Raymond Aceto (Bass)
Narumov.....Mikhail Svetlov (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Vasily Petrenko (conductor)

A gripping drama of obsession, addiction, madness and self-destruction.

Programme presenting rare and fascinating operatic performances

The Flying Dutchman20200314

Der fliegende Holländer, The Flying Dutchman, has been condemned for eternity to sail his ship, and only once every seven years is allowed to come ashore to seek redemption by a faithful woman. The raging storm has driven the Dutchman to a Norwegian harbour where he moors beside Daland. He's impressed by the Dutchman's wealth and offers him shelter, and is no less impressed by the Dutchman's interest in his daughter, Senta. The Dutchman hopes he has found his redemption in Senta, who is looking for a change to her mundane life, and she eagerly accepts the Dutchman's declaration of love and his proposal. But he wrongly thinks she is unfaithful, so returns to his ship and sets sail without her.

The starry cast at the Met includes Anja Kampe's Met debut as Senta and the bass-baritone Evgeny Nikitin as the Dutchman.
Today's performance from the Metropolitan Opera House is presented by Mary-Jo Heath with commentator Ira Siff.

The Dutchman....Evgeny Nikitin (Bass-baritone)
Senta....Anja Kampe (Soprano)
Mary....Mihoko Fujimura (Mezzo-soprano)
Erik....Sergei Skorokhodov (Tenor)
Daland's steersman....David Portillo (Tenor)
Daland....Franz-Josef Selig (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Valery Gergiev (Conductor)

From the Met, Wagner's Flying Dutchman

Programme presenting rare and fascinating operatic performances

Verdi's La Traviata20181215

"

The tragedy of opera's archetypal "fallen woman", from the Met, New York. Starring Diana Damrau as the heroine and Juan Diego Flórez as Alfredo. Yannick Nezet-Seguin conducts.

Presented by Mary-Jo Heath in conversation with Ira Siff.

Verdi: La Traviata

Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production of Verdi’s masterpiece, in which Soprano Diana Damrau plays the tragic heroine, Violetta, the “fallen woman ? who has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges. Violetta is considered a pinnacle of the soprano repertoire. Tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s lover, and baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love.

Violetta....Diana Damrau (Soprano)
Alfredo Germont....Juan Diego Florez (Tenor)
Giorgio Germont....Quinn Kelsey (Baritone)
Flora Bervoix....Kristin Chavez (Mezzo-soprano)
Annina....Maria Zifchak (Soprano)
Gastone....Scott Scully (Tenor)
Il Barone Douphol....Dwayne Croft (Baritone)
Marquis d'Obigny....Jeongcheol Cha (Bass)
Doctor Grenvil....Kevin Short (Bass)
Giuseppe....Marco Antonio Jordao (Tenor)
Messenger....Ross Benollel (Baritone)
La cena e pronta....Seth Malkin (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Yannick Nezet-Seguin (Conductor)

For full synopsis visit the programme page

The tragedy of opera's archetypal 'fallen woman', from the Met in New York.

Programme presenting rare and fascinating operatic performances

The tragedy of opera's archetypal "fallen woman", from the Met, New York. Starring Diana Damrau as the heroine and Juan Diego Flórez as Alfredo. Yannick Nezet-Seguin conducts.

Presented by Mary-Jo Heath in conversation with Ira Siff.

Verdi: La Traviata

Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production of Verdi’s masterpiece, in which Soprano Diana Damrau plays the tragic heroine, Violetta, the “fallen woman ? who has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges. Violetta is considered a pinnacle of the soprano repertoire. Tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s lover, and baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love.

Violetta....Diana Damrau (Soprano)
Alfredo Germont....Juan Diego Florez (Tenor)
Giorgio Germont....Quinn Kelsey (Baritone)
Flora Bervoix....Kristin Chavez (Mezzo-soprano)
Annina....Maria Zifchak (Soprano)
Gastone....Scott Scully (Tenor)
Il Barone Douphol....Dwayne Croft (Baritone)
Marquis d'Obigny....Jeongcheol Cha (Bass)
Doctor Grenvil....Kevin Short (Bass)
Giuseppe....Marco Antonio Jordao (Tenor)
Messenger....Ross Benollel (Baritone)
La cena e pronta....Seth Malkin (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Yannick Nezet-Seguin (Conductor)

"

The tragedy of opera's archetypal "fallen woman", from the Met, New York. Starring Diana Damrau as the heroine and Juan Diego Flórez as Alfredo. Yannick Nezet-Seguin conducts.

Presented by Mary-Jo Heath in conversation with Ira Siff.

Verdi: La Traviata

Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production of Verdi’s masterpiece, in which Soprano Diana Damrau plays the tragic heroine, Violetta, the “fallen woman” who has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges. Violetta is considered a pinnacle of the soprano repertoire. Tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s lover, and baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love.

Violetta....Diana Damrau (Soprano)
Alfredo Germont....Juan Diego Florez (Tenor)
Giorgio Germont....Quinn Kelsey (Baritone)
Flora Bervoix....Kristin Chavez (Mezzo-soprano)
Annina....Maria Zifchak (Soprano)
Gastone....Scott Scully (Tenor)
Il Barone Douphol....Dwayne Croft (Baritone)
Marquis d'Obigny....Jeongcheol Cha (Bass)
Doctor Grenvil....Kevin Short (Bass)
Giuseppe....Marco Antonio Jordao (Tenor)
Messenger....Ross Benollel (Baritone)
La cena e pronta....Seth Malkin (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Yannick Nezet-Seguin (Conductor)

For full synopsis visit the programme page

Verdi's La Traviata20200118

A passionate drama of jealousy, sacrifice and betrayal where true love is thwarted by the corrupt morals of society. La Traviata comes from Verdi's fertile middle period where he was creating one hit after another; it contains some of his best-loved music. The Soprano Diana Damrau and tenor Juan Diego Florez lead a cast conducted by Yannick Nezet-Seguin.

Presented from the Met by Mary Jo Heath and commentator Ira Siff.

Verdi: La Traviata

Violetta.....Diana Damrau (Soprano)
Alfredo Germont.....Juan Diego Florez (Tenor)
Giorgio Germont.....Quinn Kelsey (Baritone)
Flora Bervoix.....Kristin Chavez (Mezzo-soprano)
Violetta's maid.....Maria Zifchak (Soprano)
Gastone.....Scott Scully (Tenor)
Il Barone Douphol.....Dwayne Croft (Baritone)
Marquis d'Obigny.....Jeongcheol Cha (Bass Baritone)
Doctor Grenvil.....Kevin Short (Baritone)
Giuseppe.....Marco Antonio Jordao (Tenor)
Messenger.....Ross Benollel (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Yannick Nezet-Seguin (Conductor)

A passionate drama where true love is thwarted by the corrupt morals of society.

Programme presenting rare and fascinating operatic performances

Verdi's Macbeth20191221

Tonight's Opera from the Met is a performance of Verdi's Macbeth, with a star cast led by soprano Anna Netrebko as Lady Macbeth, and baritone Zeljko Lucic, recorded at the Met earlier this autumn.
Verdi began his life-long relationship with Shakespeare's works with Macbeth - considered by him to be 'one of the greatest creations of man'. The star cast is led by soprano Anna Netrebko, as Lady Macbeth, who is driven by her formidable ambition for her husband Macbeth, sung by baritone Željko Lučić, to become King. Verdi's score bursts with energy and drive, full of eerie silences and atmosphere, and expansive melodies.
The Orchestra and Chorus of the Metropolitan Opera House are conducted by Marco Armiliato.

Presented by Mary-Jo Heath with commentator Ira Siff.

Lady Macbeth.....Anna Netrebko (Soprano)
Madcuff.....Matthew Polenzani (Tenor)
Macbeth.....Zeljko Lucic (Baritone)
Banquo.....Ildar Abdrazakov (Bass)
Malcolm.....Giuseppe Filianoti (Tenor)
Lady in Waiting.....Sarah Cambridge (Mezzo-soprano)
Assassin.....Richard Bernstein (Bass)
Doctor.....Harold Wilson (Bass)
Servant to Macbeth.....Bradley Garvin (Bass)
Warrior…..Christopher Job (Bass-baritone)
Bloody Child.....Meigui Zhang (Soprano)
Crowned Child.....Karen-chia-ling Ho (Soprano)
Herald.....Yohan Yi (Bass)
Duncan.....Raymond Renault (Silent Role)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Marco Armiliato (Conductor)

From the Met: Verdi's Macbeth with Anna Netrebko and Zeljko Lucic in the leading roles.

Programme presenting rare and fascinating operatic performances

Verdi's Otello20190105

"

Tonight's opera from the Met in New York is Verdi's Shakespearean tragedy, Otello. The cast is led by tenor Stuart Skelton in the title role as the hero who can't control his jealousy, soprano Sonya Yoncheva stars as the devoted but doomed Desdemona, and baritone Zeljko LuĀ?ić sings the treacherous Iago in Verdi's musical and dramatic masterpiece. Gustavo Dudamel makes his Met debut conducting the Chorus and Orchestra of the Metropolitan Opera House.

Presented from the Met by Mary Jo Heath and commentator Ira Siff.

Verdi: Otello

Desdemona....Sonya Yoncheva (Soprano )
Emilia....Jennifer Johnson Cano (Mezzo-soprano)
Otello....Stuart Skelton (Tenor)
Cassio....Alexey Dolgov (Tenor)
Iago....Zeljko Lucic (Baritone)
Lodovico....James Morris (Bass)
Roderigo....Chad Shelton (Tenor)
Montano....Jeff Mattsey (Baritone)
A Herald....Kidon Choi (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Gustavo Dudamel (Conductor

Gustavo Dudamel makes his Met debut conducting Verdi's masterpiece, Otello

Programme presenting rare and fascinating operatic performances

Tonight's opera from the Met in New York is Verdi's Shakespearean tragedy, Otello. The cast is led by tenor Stuart Skelton in the title role as the hero who can't control his jealousy, soprano Sonya Yoncheva stars as the devoted but doomed Desdemona, and baritone Željko LuĀ?ić sings the treacherous Iago in Verdi's musical and dramatic masterpiece. Gustavo Dudamel makes his Met debut conducting the Chorus and Orchestra of the Metropolitan Opera House.

Presented from the Met by Mary Jo Heath and commentator Ira Siff.

Verdi: Otello

Desdemona....Sonya Yoncheva (Soprano )
Emilia....Jennifer Johnson Cano (Mezzo-soprano)
Otello....Stuart Skelton (Tenor)
Cassio....Alexey Dolgov (Tenor)
Iago....Zeljko Lucic (Baritone)
Lodovico....James Morris (Bass)
Roderigo....Chad Shelton (Tenor)
Montano....Jeff Mattsey (Baritone)
A Herald....Kidon Choi (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Gustavo Dudamel (Conductor

"

Tonight's opera from the Met in New York is Verdi's Shakespearean tragedy, Otello. The cast is led by tenor Stuart Skelton in the title role as the hero who can't control his jealousy, soprano Sonya Yoncheva stars as the devoted but doomed Desdemona, and baritone Zeljko Lučić sings the treacherous Iago in Verdi's musical and dramatic masterpiece. Gustavo Dudamel makes his Met debut conducting the Chorus and Orchestra of the Metropolitan Opera House.

Presented from the Met by Mary Jo Heath and commentator Ira Siff.

Verdi: Otello

Desdemona....Sonya Yoncheva (Soprano )
Emilia....Jennifer Johnson Cano (Mezzo-soprano)
Otello....Stuart Skelton (Tenor)
Cassio....Alexey Dolgov (Tenor)
Iago....Zeljko Lucic (Baritone)
Lodovico....James Morris (Bass)
Roderigo....Chad Shelton (Tenor)
Montano....Jeff Mattsey (Baritone)
A Herald....Kidon Choi (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Gustavo Dudamel (Conductor

Verdi's Rigoletto20190223

"

Opera on 3's Live from the Met season continues with Verdi's Rigoletto, based on a controversial play by Victor Hugo, 'Le roi s'amuse'. It tells of the Duke of Mantua's hunchbacked jester and outsider, Rigoletto, who has brought up his daughter Gilda, soprano Nadine Sierra, in seclusion from the world. Rigoletto, sung by baritone Roberto Frontali, is cursed by the father of one of the Duke's victims after he mocks him - but the curse seems to take effect when the Duke, star tenor Vittorio Grigolo, seduces Rigoletto's innocent daughter Gilda.

Presented by Mary Jo Heath and commentator Ira Siff.

Gilda....Nadine Sierra (Soprano)
Maddalena....Ramona Zaharia (Mezzo-soprano)
Duke of Mantua....Vittorio Grigolo (Tenor)
Rigoletto....Roberto Frontali (Baritone)
Sparafucile....Stefan Kocan (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Nicola Luisotti (Conductor)

Verdi's Rigoletto, live from the Metropolitan Opera in New York.

Programme presenting rare and fascinating operatic performances"

"

Opera on 3's From the Met season continues with Verdi's Rigoletto, based on a controversial play by Victor Hugo, 'Le roi s'amuse'. It tells of the Duke of Mantua's hunchbacked jester and outsider, Rigoletto, who has brought up his daughter Gilda, soprano Nadine Sierra, in seclusion from the world. Rigoletto, sung by baritone Roberto Frontali, is cursed by the father of one of the Duke's victims after he mocks him - but the curse seems to take effect when the Duke, star tenor Vittorio Grigolo, seduces Rigoletto's innocent daughter Gilda.

Presented by Mary Jo Heath and commentator Ira Siff.

Gilda....Nadine Sierra (Soprano)
Maddalena....Ramona Zaharia (Mezzo-soprano)
Duke of Mantua....Vittorio Grigolo (Tenor)
Rigoletto....Roberto Frontali (Baritone)
Sparafucile....Stefan Kocan (Bass)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Nicola Luisotti (Conductor)

Verdi's Rigoletto, from the Metropolitan Opera in New York.