Franz Schubert (1797-1828)

First broadcast from 20060109 to 20090708.

Donald Macleod is joined by writer and broadcaster Stephen Johnson to explore the highly productive 'Indian summer' of Schubert's final years.

 
 
EpisodeTitleFirst
Broadcast
RepeatedDescription
01 20080505 The programme concentrates on the composer's last symphony, the 'Great'.
Die Allmacht (Omnipotence) (with words by Pyrker), D852
Elizabeth Connell (soprano)
Graham Johnson (piano)
Symphony in C, D944 (Great)
Cleveland Orchestra
George Szell (conductor)
Franz Schubert (1797-1828)
1/5. The programme concentrates on the composer's last symphony, the 'Great'.
Die Allmacht (Omnipotence) (with words by Pyrker), D852
Elizabeth Connell (soprano)
Graham Johnson (piano)
Symphony in C, D944 (Great)
Cleveland Orchestra
George Szell (conductor).
01A Miracle Year2006010920070416During 1814-15, aged only seventeen, Schubert composed prolifically, while the city of his birth played host to the Congress of Vienna. With Donald Macleod.
Gretchen am Spinnrade
Barbara Bonney (soprano)
Geoffrey Parsons (piano)
String Quartet No 9 in G minor (excerpt)
Kodaly Quartet
Mass No 2
Thomas Puchegger (treble)
Jorg Hering (tenor)
Harry Van Der Kamp (bass)
Orchestra of the Age of Enlightenment
Bruno Weill (conductor)
Symphony No 2 (excerpt)
Royal Concertgebouw Orchestra
Nikolaus Harnoncourt (conductor)
Erlkonig
Dietrich Fischer-Dieskau (baritone)
Graham Johnson (piano).
Donald Macleod reviews Schubert's life during 1814-15 when, aged only 17, he composed prolifically, while the city of his birth played host to the Congress of Vienna.
Gretchen am Spinnrade
Barbara Bonney (soprano)
Geoffrey Parsons (piano)
String Quartet No 9 in Gm (extract)
Kodály Quartet
Mass No 2
Dawn Upshaw (soprano)
David Gordon (tenor)
William Stone (baritone)
Atlanta Symphony Orchestra and Chorus
Robert Shaw (conductor)
Symphony No 2 (extract)
Royal Concertgebouw orchestra
Nikolaus Harnoncourt (conductor)
Erlkönig: Dietrich Fischer-Dieskau
Graham Johnson (piano).
02 2006011620090630Donald Macleod is joined by writer and broadcaster Stephen Johnson to explore Schubert's last mass, considered by many to be a neglected masterpiece.
02 20080506 The programme concentrates on Schubert's last mass, considered by many to be a neglected masterpiece.
Standchen (Serenade) (text by Grillparzer), D 920
Sarah Walker (mezzo-soprano)
Alan Armstrong, Jason Bella, Mark Hammond, Philip Lawford, Arthur Linley, Richard Edgar-Wilson (tenors)
David Barnard, David Beezer, Duncan Perkins, James Pitman, Christopher Vigar (baritones/basses)
Graham Johnson (piano)
Mass in E flat for five solo voices, mixed chorus and orchestra, D950
Benjamin Schmidinger (soprano)
Albin Lenzer (alto)
Jorg Hering, Kurt Azesberger (tenors)
Harry van der Kamp (bass)
Vienna Boys Choir
Peter Marschik (chorus master)
Chorus Viennensis
Guido Mancusi (chorus master)
Orchestra of the Age of Enlightenment
Bruno Weil (conductor).
02The Bildung Circle2006011020070417Donald Macleod looks at the influence of Schubert's idealistic group of friends on the composer's life and work.
Memnon; Lied eines Schiffers an die Dioskuren
Thomas Hampson (baritone)
Graham Johnson (piano)
Am Bach im Fruhling; An die Musik
Markus Eiche (baritone)
Jens Fuhr (piano)
Sanft und still schlaft unser Freund (Lazarus, final chorus Act 1)
Gachinger Kantorei Stuttgart
Bach-Collegium Stuttgart
Helmuth Rilling (conductor)
Symphony No 5
Royal Concertgebouw Orchestra
Nikolaus Harnoncourt (conductor).
Donald Macleod looks at the influence of Schubert's idealistic group of friends on the composer's life and work.
Memnon; Lied eines Schiffers an die Dioskuren
Thomas Hampson (baritone)
Graham Johnson (piano)
Am Bach im Frühling; An die Musik
Markus Eiche (baritone)
Jens Fuhr (piano)
Lazarus [extract]
Final chorus Act 1: Sanft und still schläft unser Freund
Gächinger Kantorei Stuttgart
Bach-Collegium Stuttgart
Helmuth Rilling (conductor)
5th Symphony
Royal Concertgebouw orchestra
Nikolaus Harnoncourt (conductor).

  1. Standchen (Serenade, text by Grillparzer), D920
  2. Sarah Walker (mezzo-soprano)
  3. Alan Armstrong, Jason Bella, Mark Hammond, Philip Lawford, Arthur Linley, Richard Edgar-Wilson (tenors)
  4. David Barnard, David Beezer, Duncan Perkins, James Pitman, Christopher Vigar (baritones/basses)
  5. Graham Johnson (piano)
  6. Mass in E flat for five solo voices, mixed chorus and orchestra, D950
  7. Benjamin Schmidinger (soprano)
  8. Albin Lenzer (alto)
  9. Jorg Hering, Kurt Azesberger (tenors)
  10. Harry van der Kamp (bass)
  11. Vienna Boys Choir
  12. Peter Marschik (chorus master)
  13. Chorus Viennensis
  14. Guido Mancusi (chorus master)
  15. Orchestra of the Age of Enlightenment
  16. Bruno Weil (conductor)
 
03 20080507 The programme considers the importance of Beethoven for Schubert, and introduces Schubert's Piano Sonata in B flat.
Auf dem Strom (On the River), D 943 (text by Rellstab)
Michael Schade (tenor)
David Pyatt (horn)
Graham Johnson (piano)
Piano Sonata in B flat, D 960
Stephen Kovacevich (piano).
03 2006011720090701Donald Macleod considers the importance of Beethoven for Schubert and introduces Schubert's Piano Sonata in B flat.
03Hedonism2006011120070418Donald Macleod looks at the Schubertiads, parties in and around Vienna where the composer's works would be performed amongst his circle, plus other sources of amusement for Schubert and his friends in the city.
Waltz No 30, D365
Alfred Kitchin (piano)
Overture to Alfonso und Estrella
Berlin State Orchestra
Otmar Suitner (conductor)
Schwestergruss
Geraldine McGreevy (soprano)
Graham Johnson (piano)
Gloria and Credo (Mass in A flat)
Helen Donath, Lucia Popp (sopranos)
Brigitte Fassbaender (alto)
Francisco Araiza, Adolf Dallapozza (tenors)
Dietrich Fischer-Dieskau (bass)
Chor und Sinfonieorchester des Bayerischen Rundfunks
Wolfgang Sawallisch (conductor)
Valses Sentimentales
Alice Ader (piano).
Donald Macleod looks at the Schubertiads, parties in and around Vienna where the composer's works would be performed amongst his circle, and the other sources of amusement for Schubert and his friends in the city.
Waltz D365 no 30
Alfred Kitchin (piano)
Alfonso und Estrella: Overture
Berlin State Orchestra/ Otmar Suitner
Schwestergruss
Geraldine McGreevy (soprano)/ Graham Johnson (piano)
Mass in A flat: Gloria & Credo
Helen Donath (sop)/ Lucia Popp (sop)/ Brigitte Fassbaender (alto)/ Francisco Araiza (tenor) Adolf Dallapozza (tenor)/ Dietrich Fischer Dieskau (bass)/ Chor und Sinfonieorchester des Bayerischen Rundfunks/ Wolfgang Sawallisch
Valses Sentimentales
Alice Ader (piano).

  1. Auf dem Strom (On the River), D943 (text by Rellstab)
  2. Michael Schade (tenor)
  3. David Pyatt (horn)
  4. Graham Johnson (piano)
  5. Piano Sonata in B flat, D960
  6. Stephen Kovacevich (piano)
 
04 2006011820090702Donald Macleod looks at two valedictory works from Schubert's final weeks - the motet Tantum ergo and the troubled String Quintet, which gathered dust for 25 years after the composer's death but is now regarded as one of the masterpieces of chamber music.
 
04City Of Music2006011220070419Donald Macleod looks at whether Schubert's path ever crossed Beethoven's in Vienna, Europe's capital of music at that time.
Eight Variations on a French song in E minor
Duo Crommelynck
Die junge Nonne
Janet Baker (mezzo)
Graham Johnson (piano)
Octet (extract)
The Gaudier Ensemble.
Donald Macleod looks at whether Schubert's path ever crossed Beethoven's in Vienna, at that time Europe's capital of music.
Eight Variations on a French song in Em
Duo Crommelynck
Die junge Nonne
Janet Baker (mezzo)
Graham Johnson (piano)
Octet (extract)
The Gaudier Ensemble.

  1. Tantum ergo for soloists, chorus and orchestra, D962
  2. Lucia Popp (soprano)
  3. Brigitte Fassbaender (contralto)
  4. Adolf Dallapozza (tenor)
  5. Dietrich Fischer-Dieskau (bass)
  6. Bavarian Radio Symphony Orchestra
  7. Wolfgang Sawallisch (conductor)
  8. String Quintet in C, D956
  9. Heinrich Schiff (cello)
  10. Alban Berg Quartet
 
05 20060119  
05 LAST 20080509 The programme looks at the songs written during the composer's final months, grouped together by an enterprising publisher under the title Schwanengesang, or Swansong.
Herbst, D945
John Mark Ainsley (tenor)
Graham Johnson (piano)
Schwanengesang, D957
Hans Hotter (baritone)
Gerald Moore (piano).
05 LAST 2009070820090703Donald Macleod looks at the songs written during Schubert's final months, grouped together by an enterprising publisher under the title Schwanengesang, or Swansong.
Herbst, D945
John Mark Ainsley (tenor)
Graham Johnson (piano)
Schwanengesang, D957
Hans Hotter (baritone)
Gerald Moore (piano).
Donald Macleod focuses on the songs Schubert wrote during his final months.
05 LASTNo More Waltzes2006011320070420Donald Macleod looks at Schubert's final year, during which life became increasingly serious for the still-young composer, and his works became laced with melancholy.
Der Wegweiser (Winterreise) orch. Webern
Brigitte Fassbaender (mezzo)
Aribert Reimann (piano)
Sehnsucht; Der Wanderer an den Mond
Brigitte Fassbaender (mezzo)
Aribert Reimann (piano)
Winterreise (extract)
Dietrich Fischer-Dieskau (baritone)
Alfred Brendel (piano)
Benedictus and Agnus Dei (Mass in E flat)
Benjamin Schmidinger (soprano)
Albin Lenzer (alto)
Jorg Hering (tenor)
Kurt Azesberger (tenor)
Harry van der Kamp (bass)
Chorus Viennensis
Orchestra of the Age of Enlightenment
Bruno Weil (conductor)
Symphony No 10 in D (extract)
Scottish Chamber Orchestra
Charles Mackerras (conductor).
Donald Macleod looks at Schubert's final year, during which life became increasing serious for the still-young composer, and his works became laced with melancholy.
Sehnsucht; Der Wanderer an den Mond
Brigitte Fassbaender (mezzo)
Aribert Reimann (piano)
Winterreise (extract)
Dietrich Fischer-Dieskau (baritone)
Alfred Brendel (piano)
Mass in E flat (extract: V. Benedictus & VI. Agnus Dei)
Benjamin Schmidinger (soprano)
Albin Lenzer (alto)
Jörg Hering (tenor)
Kurt Azesberger (tenor)
Harry van der Kamp (bass)
Chorus Viennensis
Orchestra of the Age of Enlightenment
Bruno Weil (conductor)
Symphony No. 10 in D (extract)
Scottish Chamber Orchestra
Sir Charles Mackerras (conductor).
Donald Macleod looks at Schubert's final year, during which life became increasingly serious for the still-young composer, and his works became laced with melancholy.
Sehnsucht; Der Wanderer an den Mond
Brigitte Fassbaender (mezzo)
Aribert Reimann (piano)
Winterreise (extract)
Dietrich Fischer-Dieskau (baritone)
Alfred Brendel (piano)
Mass in E flat (extract: V. Benedictus & VI. Agnus Dei)
Benjamin Schmidinger (soprano)
Albin Lenzer (alto)
Jörg Hering (tenor)
Kurt Azesberger (tenor)
Harry van der Kamp (bass)
Chorus Viennensis
Orchestra of the Age of Enlightenment
Bruno Weil (conductor)
Symphony No 10 in D (extract)
Scottish Chamber Orchestra
Sir Charles Mackerras (conductor).
  20080508Rptoftoday12.00pm, Rptdtoday8.45pm4/5. The programme looks at two valedictory works from Schubert's final weeks - the motet Tantum ergo and the troubled String Quintet, which gathered dust for 25 years after the composer's death but is now regarded as one of the masterpieces of chamber music.
Tantum ergo for soloists, chorus and orchestra, D962
Lucia Popp (soprano)
Brigitte Fassbaender (contralto)
Adolf Dallapozza (tenor)
Dietrich Fischer-Dieskau (bass)
Bavarian Radio Symphony Orchestra
Wolfgang Sawallisch (conductor)
String Quintet in C, D956
Heinrich Schiff (cello)
Alban Berg Quartet