The Gospel Truth

Gospel's uplifting and rejoicing sound is world famous, a multi million-dollar music genre that in many ways has ended up the beating heart of American popular music.

But can gospel be gospel if it entertains and makes money as well as praises the Lord?

In the first of two episodes, Alvin examines gospel's journey from the church to the charts through the music of Thomas Dorsey, Sister Rosetta Tharpe, Mahalia Jackson and Sam Cooke. Now considered some of gospel's greatest artists, these early singers all met with strong criticism from the church as they took their songs from the sacred world into the secular.

Alvin also reveals how other gospel performers in the first half of the 20th century struggled fulfilling their religious obligations whilst battling with the temptations of life on the road.

First broadcast on BBC Radio in January 2016.

Financial educator Alvin Hall explores how American gospel music has been affected by commercialisation. From 2016.

Financial educator Alvin Hall explores American gospel music genre has been affected by commercialisation.

Gospel's uplifting and rejoicing sound is world famous, a multi million-dollar music genre that in many ways has ended up the beating heart of American popular music. But can gospel be gospel if it entertains and makes money as well as praises the Lord?

In this first episode Alvin examines gospel's journey from the church to the charts through the music of Thomas Dorsey, Sister Rosetta Tharpe, Mahalia Jackson and Sam Cooke. Now considered some of gospel's greatest artists, these early singers all met with strong criticism from the church as they took their songs from the sacred world into the secular.

Gospel's uplifting and rejoicing sound is world famous, a multi million-dollar music genre that in many ways has ended up the beating heart of American popular music. But can gospel be gospel if it entertains and makes money as well as praises the Lord? Financial educator Alvin Hall explores how this American religious music genre has been affected by commercialisation.

In this first episode Alvin examines gospel's journey from the church to the charts through the music of Thomas Dorsey, Sister Rosetta Tharpe, Mahalia Jackson and Sam Cooke. Now considered some of gospel's greatest artists, these early singers all met with strong criticism from the church as they took their songs from the sacred world into the secular. Alvin also reveals how other gospel performers in the first half of the 20th century struggled fulfilling their religious obligations whilst battling with the temptations of life on the road.

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Gospel's uplifting and rejoicing sound is world famous, a multi million-dollar music genre that in many ways has ended up the beating heart of American popular music. But can gospel be gospel if it entertains, makes money and praises the Lord at the same time?

Alvin explores how this American religious music genre has been affected by both commercialisation and secularisation.

In this final episode, Alvin explains how gospel became a global force in popular music.

He reveals how Aretha Franklin's marriage of pop to gospel sold millions of records, introducing gospel to a world audience in the process. He looks at the rise of the gospel choir in the 1970s and 80s and discovers how it increasingly became a money-making industry.

He also meets leading gospel stars Kirk Franklin and Donnie McClurkin to ask whether they think today's gospel stars have been affected by money and celebrity.

Alvin Hall explores how gospel music has been affected by commercialisation.

Financial educator Alvin Hall explores how American gospel music became a global force through commercialisation. From 2016.

In this second part, Alvin explains how gospel became a global force in popular music.

Presenter Alvin Hall explores how gospel music has been affected by commercialisation.

Gospel's uplifting and rejoicing sound is world famous, a multi million-dollar music genre that in many ways has ended up the beating heart of American popular music. But can gospel be gospel if it entertains, makes money and praises the Lord at the same time? Financial educator Alvin Hall explores how this American religious music genre has been affected by both commercialisation and secularisation.

In this second part, Alvin explains how gospel became a global force in popular music. He reveals how Aretha Franklin's marriage of pop to gospel sold millions of records, introducing gospel to a world audience in the process. He looks at the rise of the gospel choir in the 1970s and 80s and discovers how it increasingly became a money-making industry. He also meets leading gospel stars Kirk Franklin and Donnie McClurkin to ask whether they think today's gospel stars have been affected by money and celebrity.

Alvin Hall explains how gospel became a global force in popular music.

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