Episodes
Series | Episode | First Broadcast | Repeated | Comments |
---|---|---|---|---|
2004 | 01 | 20040823 | As a young man, Karol Szymanowski looked set for a rosy future. In his early twenties, he fell in with a group of well-connected fellow Poles with a generous musical patron, who enabled them to publish their music and put on public concerts of their own works. Donald Macleod introduces some of Szymanowski's earliest works, from a period when he looked towards Germany for musical inspiration. | |
2004 | 01 | 20040823 | 20040829 (R3) | As a young man, Karol Szymanowski looked set for a rosy future. In his early twenties, he fell in with a group of well-connected fellow Poles with a generous musical patron, who enabled them to publish their music and put on public concerts of their own works. Donald Macleod introduces some of Szymanowski's earliest works, from a period when he looked towards Germany for musical inspiration. |
2004 | 01 | 20040823 | 20061002 (R3) | As a young man, Karol Szymanowski looked set for a rosy future. In his early twenties, he fell in with a group of well-connected fellow Poles with a generous musical patron, who enabled them to publish their music and put on public concerts of their own works. Donald Macleod introduces some of Szymanowski's earliest works, from a period when he looked towards Germany for musical inspiration. |
2004 | 01 | 20040823 | 20061008 (R3) | As a young man, Karol Szymanowski looked set for a rosy future. In his early twenties, he fell in with a group of well-connected fellow Poles with a generous musical patron, who enabled them to publish their music and put on public concerts of their own works. Donald Macleod introduces some of Szymanowski's earliest works, from a period when he looked towards Germany for musical inspiration. |
2004 | 02 | 20040824 | Works inspired by the myths and poetry of ancient Greece and classical Persia. | |
2004 | 02 | 20040824 | 20040830 (R3) | Works inspired by the myths and poetry of ancient Greece and classical Persia. |
2004 | 02 | 20040824 | 20061003 (R3) | Works inspired by the myths and poetry of ancient Greece and classical Persia. |
2004 | 02 | 20040824 | 20061009 (R3) | Works inspired by the myths and poetry of ancient Greece and classical Persia. |
2004 | 03 | 20040825 | Donald Macleod introduces works inspired by two important people in Szymanowski's life. | |
2004 | 03 | 20040825 | 20040831 (R3) | Donald Macleod introduces works inspired by two important people in Szymanowski's life. |
2004 | 03 | 20040825 | 20061004 (R3) | Donald Macleod introduces works inspired by two important people in Szymanowski's life. |
2004 | 03 | 20040825 | 20061010 (R3) | Donald Macleod introduces works inspired by two important people in Szymanowski's life. |
2004 | 04 | 20040826 | In post-war Poland, Szymanowski tried to create a new life for himself. Donald Macleod introduces a vocal work which came out of his association with a newly formed literary group in Warsaw, a choral piece brought about by personal tragedy and, thanks to an upturn in his fortunes, his long-cherished opera project King Roger. | |
2004 | 04 | 20040826 | 20040901 (R3) | In post-war Poland, Szymanowski tried to create a new life for himself. Donald Macleod introduces a vocal work which came out of his association with a newly formed literary group in Warsaw, a choral piece brought about by personal tragedy and, thanks to an upturn in his fortunes, his long-cherished opera project King Roger. |
2004 | 04 | 20040826 | 20061005 (R3) | In post-war Poland, Szymanowski tried to create a new life for himself. Donald Macleod introduces a vocal work which came out of his association with a newly formed literary group in Warsaw, a choral piece brought about by personal tragedy and, thanks to an upturn in his fortunes, his long-cherished opera project King Roger. |
2004 | 04 | 20040826 | 20061011 (R3) | In post-war Poland, Szymanowski tried to create a new life for himself. Donald Macleod introduces a vocal work which came out of his association with a newly formed literary group in Warsaw, a choral piece brought about by personal tragedy and, thanks to an upturn in his fortunes, his long-cherished opera project King Roger. |