The Mabinogion Revisited

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01An Introduction to the Mabinogion20161114

01An Introduction to the Mabinogion20161114

Professor Sioned Davies, Chair of Welsh at Cardiff University and author of the first new translation of The Mabinogion for thirty years, reflects on the ancient tales.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. In this series of The Essay, five Welsh writers present a different story or theme from the Mabinogion across five nights.

They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician, whose feet must lie in the lap of a virgin; hanging a pregnant mouse and hunting a magical boar. Dragons, witches and giants live alongside kings and heroes, and quests of honour, revenge and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl. Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales and culminating in a reading from the texts, these essays re-invest the tales with the power of performance they originally commanded.

01An Introduction To The Mabinogion20161114

Professor Sioned Davies, Chair of Welsh at Cardiff University and author of the first new translation of The Mabinogion for thirty years, reflects on the ancient tales.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. In this series of The Essay, five Welsh writers present a different story or theme from the Mabinogion across five nights.

They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician, whose feet must lie in the lap of a virgin; hanging a pregnant mouse and hunting a magical boar. Dragons, witches and giants live alongside kings and heroes, and quests of honour, revenge and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl. Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales and culminating in a reading from the texts, these essays re-invest the tales with the power of performance they originally commanded.

01An Introduction To The Mabinogion20161114

Professor Sioned Davies, Chair of Welsh at Cardiff University and author of the first new translation of The Mabinogion for thirty years, reflects on the ancient tales.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. In this series of The Essay, five Welsh writers present a different story or theme from the Mabinogion across five nights.

They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician, whose feet must lie in the lap of a virgin; hanging a pregnant mouse and hunting a magical boar. Dragons, witches and giants live alongside kings and heroes, and quests of honour, revenge and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl. Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales and culminating in a reading from the texts, these essays re-invest the tales with the power of performance they originally commanded.

02James Hawes20161115

02James Hawes20161115

Five Welsh writers reflect on the greatest literary treasures of the medieval world, The Mabinogion. Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

Author James Hawes discusses what the Mabinogion can teach us about storytelling and explores the parallels between these ancient tales and our modern-day superhero films.

02James Hawes20161115

Five Welsh writers reflect on the greatest literary treasures of the medieval world, The Mabinogion. Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

Author James Hawes discusses what the Mabinogion can teach us about storytelling and explores the parallels between these ancient tales and our modern-day superhero films.

03Gwyneth Lewis on the Tale of Blodeuwedd20161116

03Gwyneth Lewis On The Tale Of Blodeuwedd20161116

The Mabinogion Revisited: Series of arts programmesThe Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands? Gwyneth Lewis ponders the powers and the limits of the imagination through her unique re-interpretation of the tale of Blodeuwedd.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

03Gwyneth Lewis on the Tale of Blodeuwedd20161116

The Mabinogion Revisited: Series of arts programmesThe Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands? Gwyneth Lewis ponders the powers and the limits of the imagination through her unique re-interpretation of the tale of Blodeuwedd.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

03Gwyneth Lewis On The Tale Of Blodeuwedd20161116

The Mabinogion Revisited: Series of arts programmesThe Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands? Gwyneth Lewis ponders the powers and the limits of the imagination through her unique re-interpretation of the tale of Blodeuwedd.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

04Jon Gower On The Role Of Nature20161117

The Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands? Writer Jon Gower explores what the Mabinogion stories can teach us about the role of nature in the Celtic mind.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

04Jon Gower On The Role Of Nature20161117

The Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands? Writer Jon Gower explores what the Mabinogion stories can teach us about the role of nature in the Celtic mind.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

05Horatio Clare On Lludd And Llefelys20161118

The Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands?Horatio Clare reflects on the 12th-century tale of Lludd and Llefelys from the Mabinogion and discusses its timely themes of immigration, conflict, borders and exile.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.

05Horatio Clare On Lludd And Llefelys20161118

The Mabinogion is to Welsh mythology what the Iliad and the Odyssey are to Greek mythology. So why aren't they more well known in these islands?Horatio Clare reflects on the 12th-century tale of Lludd and Llefelys from the Mabinogion and discusses its timely themes of immigration, conflict, borders and exile.

Internationally recognized as the world's finest arc of Celtic mythology, the tales in the four 'Branches' which make up the Mabinogion reveal an ancient world of gods and monsters, heroes, kings and quests. They tell tales that stretch far beyond the boundaries of contemporary Wales, and although well known in Wales today, these stories are not familiar to those in other parts of Britain. They bring us Celtic mythology, a history of the Island of Britain seen through the eyes of medieval Wales. They also include the first appearance in literature of King Arthur. There is enchantment and shape-shifting, conflict, peacemaking, love and betrayal: stories of such colour and wonderment that even those who are not familiar with them will find universal appeal. There's Gwydion the shape-shifter, who can create a woman out of flowers; Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. A wife conjured out of flowers is punished for unfaithfulness by being turned into an owl, Arthur and his knights chase a magical wild boar and its piglets from Ireland, across south Wales to Cornwall, and a prince changes places with the king of the underworld for a year.

By weaving contemporary themes into these ancient tales, these essays re-invest the tales with the power of performance they originally commanded.