Episodes

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01Know Thy Selfie2021011120221107 (R3)Writer Polly Coles reads Know Thy selfie, the first of her essays on portraiture and our obsession with ourselves. She looks at five different aspects of portraiture and makes the case that portraiture is the most intimate artistic conversation of all. Face to face with another human being, no other art form investigates and reveals more richly what it is to be human. Portraits can promote exploitation and self-aggrandisement, but at their best, they are instruments of honesty, love and profound attention.

Polly suggests self-portraits are acts of radical self-exposure, whilst selfies achieve the opposite, constructing an image.

Produced by Melanie Harris of Sparklab Productions

Photo by Ella Gradwell

You can find images of some of the paintings by artists referenced here:

Jan van Eyk: bit.ly/Jan-Van-Eyck

Tracey Emin: bit.ly/TraceyEminCBE

Jonathan Richardson: bit.ly/JonathanRichardson

William Utermohlen: bit.ly/WilliamUtermohlen;

Claude Cahun: bit.ly/ClaudeCahunSelfPortraits

Cindy Sherman: bit.ly/CindyShermanNPG

Greta Sharp: bit.ly/GretaSharp

The BBC is not responsible for the contents of the sites listed.

Polly Coles reads the first of her essays on portraiture and our obsession with ourselves.

02Portraits Of Love And Hate2021011220221108 (R3)Writer Polly Coles reads the next of her essays about portraiture and our obsession with ourselves: Portraits of Love and Hate. In this series, she looks at five different aspects of portraiture and makes the case that portraiture is the most intimate artistic conversation of all. Face to face with another human being, no other art form investigates and reveals more richly what it is to be human. Portraits can promote exploitation and self-aggrandisement, but at their best, they are instruments of honesty, love and profound attention.

In this essay, Polly looks at how double portraits have always worked to connect people intimately, whether in love, enmity or indifference.

Produced by Melanie Harris of Sparklab Productions

Photo by Ella Gradwell

You can find images of some of the paintings by artists referenced here: Jan van Eyk: bit.ly/JanVanEyck-Arnolfini

Thomas Gainsborough: bit.ly/ThomasGainsborough-Andrews

Thomas Gainsborough: bit.ly/ThomasGainsborough-Daughters

Quentin Massys: bit.ly/QuintenMassys

The BBC is not responsible for the contents of the sites listed.

Polly Coles reads the next of her essays on portraiture and our obsession with ourselves.

03Fame And Infamy2021011320221109 (R3)Writer Polly Coles reads the third of her essays about portraiture and our obsession with ourselves: Fame and Infamy. In this series, she looks at five different aspects of portraiture and makes the case that portraiture is the most intimate artistic conversation of all. Face to face with another human being, no other art form investigates and reveals more richly what it is to be human. Portraits can promote exploitation and self-aggrandisement, but at their best, they are instruments of honesty, love and profound attention.

Examining a series of idealised portraits, Polly asks when is a portrait no longer a psychological study of an actual individual but an iconic image of an imagined character?

Produced by Melanie Harris of Sparklab Productions

Photo by Ella Gradwell

You can find images of some of the paintings by artists referenced here:

Antonio Canova: bit.ly/AntonioCanova-Wellington

Velasquez: bit.ly/Velasquez-Pope

Anita Garibaldi: bit.ly/AnitaGaribaldi-Equestrian

Holbein: bit.ly/Holbein-ChristinaOfDenmark

The BBC is not responsible for the contents of the sites listed.

Polly Coles reads the third of her essays on portraiture and our obsession with ourselves.

04Sitting, Our Place In The World2021011420221110 (R3)Writer Polly Coles reads the next of her essays about portraiture and our obsession with ourselves: Sitting - Our Place in the World. In this series, she looks at five different aspects of portraiture and makes the case that portraiture is the most intimate artistic conversation of all. Face to face with another human being, no other art form investigates and reveals more richly what it is to be human. Portraits can promote exploitation and self-aggrandisement, but at their best, they are instruments of honesty, love and profound attention.

Polly suggests the world around a sitter can be as revealing as the portrait itself. In this sense, portraiture is also about place and objects.

Produced by Melanie Harris of Sparklab Productions

Photo by Ella Gradwell

You can find images of some of the paintings by artists referenced here:

Lotto: bit.ly/Lotto-FeltHat

Lotto: bit.ly/Lotto-GentlemanGloves

Klimt: bit.ly/Klimt-TheKiss

Eduard Vuillard: bit.ly/É€douardVuillard

Pierre Bonnard: bit.ly/PierreBonnard-TheBath

Marie-Guillemine Benoist: bit.ly/Marie-Guillemine

The BBC is not responsible for the contents of the sites listed.

Polly Coles reads the next of her essays on portraiture and our obsession with ourselves.

05 LASTHeads, Bodies And Legs2021011520221111 (R3)Writer Polly Coles reads the final essay in her series on portraiture and our obsession with ourselves: Heads, bodies and legs. In this series, she looks at five different aspects of portraiture and makes the case that portraiture is the most intimate artistic conversation of all. Face to face with another human being, no other art form investigates and reveals more richly what it is to be human. Portraits can promote exploitation and self-aggrandisement, but at their best, they are instruments of honesty, love and profound attention.

Polly asks, if portraiture is a process of abbreviation, can the head really tell us everything?

Produced by Melanie Harris of Sparklab Productions

Photo by Ella Gradwell

You can find images of some of the paintings by artists referenced here:

Hogarth: bit.ly/WilliamHogarth-Characters

Hans Memling: bit.ly/HansMemling

Spencer Murphy: bit.ly/SpencerMurphy

Courbet: bit.ly/GustaveCourbet-Origin

Velasquez: bit.ly/Velasquez-LasMeninas

The Madonna del Parto: bit.ly/MadonnaDelParto

The BBC is not responsible for the contents of the sites listed.

Polly Coles reads the last of her essays on portraiture and our obsession with ourselves.