Tarantino's Jukebox

Episode

First
Broadcast

Repeated

Comments

20090711

20160627 (BBC7)
20160628 (BBC7)
20100422 (R4)

Episode 1/2

Transcending his reputation as a maker of violent movies, Quentin Tarantino is also recognised by his fans and admirers as an exceptional soundtrack producer. True Romance, Natural Born Killers, Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill... Tarantino selected all the tracks himself. In the first of two programmes, the enfant terrible of American Cinema reveals his musical obsessions and his influences, and talks us through the contents of his virtual jukebox.

This intriguing documentary (coming to you from the red leatherette banquettes of Quentin's favourite virtual diner in LA) not only forage in the annals of great popular music, they provide a unique insight into the way music can infuse a film, and the way a film can bring music back from the dusty vaults.

Also featuring Mary Wilson of the Supremes, Vicki Wickham (manager of Dusty Springfield), film producer Laurence Bender, music & movie critic Paul Gambaccini, film editor Sally Menke and music supervisors Mary Ramos and Karyn Rachtman.

Robert Ziegler meets Quentin Tarantino, producer of exceptional film soundtracks.

20090718

20160628 (BBC7)
20160629 (BBC7)
20100423 (R4)

Episode 2/2

Transcending his reputation as a maker of violent movies, Quentin Tarantino is also recognised by his fans and admirers as an exceptional soundtrack producer. True Romance, Natural Born Killers, Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill... Tarantino selected all the tracks himself. In the 2nd of two programmes, the enfant terrible of American Cinema reveals his musical obsessions and his influences, and talks us through the contents of his virtual jukebox.

This intriguing documentary (coming to you from the red leatherette banquettes of Quentin's favourite virtual diner in LA) not only forages in the annals of great popular music, it focuses on the new styles of music Quentin has found for his latest movie Inglourious Basterds, which was recently nominated in the Best Picture category at the Oscars.

Also featuring film producer Laurence Bender, music & movie critic Paul Gambaccini, film editor Sally Menke, composer Charles Bernstein and music supervisors Mary Ramos and Karyn Rachtman.

Episodes

Episode	First Broadcast	Repeated	Comments
01	20090711	20160627 (BBC7) 20160628 (BBC7) 20100422 (R4)	Episode 1/2 Transcending his reputation as a maker of violent movies, Quentin Tarantino is also recognised by his fans and admirers as an exceptional soundtrack producer. True Romance, Natural Born Killers, Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill... Tarantino selected all the tracks himself. In the first of two programmes, the enfant terrible of American Cinema reveals his musical obsessions and his influences, and talks us through the contents of his virtual jukebox. This intriguing documentary (coming to you from the red leatherette banquettes of Quentin's favourite virtual diner in LA) not only forage in the annals of great popular music, they provide a unique insight into the way music can infuse a film, and the way a film can bring music back from the dusty vaults. Also featuring Mary Wilson of the Supremes, Vicki Wickham (manager of Dusty Springfield), film producer Laurence Bender, music & movie critic Paul Gambaccini, film editor Sally Menke and music supervisors Mary Ramos and Karyn Rachtman. Robert Ziegler meets Quentin Tarantino, producer of exceptional film soundtracks.
02	20090718	20160628 (BBC7) 20160629 (BBC7) 20100423 (R4)	Episode 2/2 Transcending his reputation as a maker of violent movies, Quentin Tarantino is also recognised by his fans and admirers as an exceptional soundtrack producer. True Romance, Natural Born Killers, Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill... Tarantino selected all the tracks himself. In the 2nd of two programmes, the enfant terrible of American Cinema reveals his musical obsessions and his influences, and talks us through the contents of his virtual jukebox. This intriguing documentary (coming to you from the red leatherette banquettes of Quentin's favourite virtual diner in LA) not only forages in the annals of great popular music, it focuses on the new styles of music Quentin has found for his latest movie Inglourious Basterds, which was recently nominated in the Best Picture category at the Oscars. Also featuring film producer Laurence Bender, music & movie critic Paul Gambaccini, film editor Sally Menke, composer Charles Bernstein and music supervisors Mary Ramos and Karyn Rachtman.