Unreal - The Vfx Revolution

Episodes

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01A Long, Long Time Ago...20210706

The story of how visual effects changed and changed cinema told from the inside by the Oscar winning Paul Franklin. In 1975, in a nondescript warehouse in Van Nuys, George Lucas and John Dykstra created a visual effects startup that would make history. Industrial Light & Magic. A group of many talents spent well over a year in R&D to perfect the dream of motion control before X-Wings and the Millennium Falcon could soar. Meanwhile the magic eye of Douglas Trumbull and his team was creating the light show for Steven Spielberg's Close Encounters. It was the beginning of a revolution.

With the voices of Robert Blalack, John Dykstra, Richard Edlund, Dennis Muren & Doug Trumbull.
Producer: Mark Burman

Oscar-winner Paul Franklin tells how visual effects changed and how they changed cinema.

01A Long, Long Time Ago...2021070620220331 (R4)The story of how visual effects changed and changed cinema told from the inside by the Oscar winning Paul Franklin. In 1975, in a nondescript warehouse in Van Nuys, George Lucas and John Dykstra created a visual effects startup that would make history. Industrial Light & Magic. A group of many talents spent well over a year in R&D to perfect the dream of motion control before X-Wings and the Millennium Falcon could soar. Meanwhile the magic eye of Douglas Trumbull and his team was creating the light show for Steven Spielberg's Close Encounters. It was the beginning of a revolution.

With the voices of Robert Blalack, John Dykstra, Richard Edlund, Dennis Muren & Doug Trumbull.

Producer: Mark Burman

Oscar-winner Paul Franklin tells how visual effects changed and how they changed cinema.

02Digital Realms20210713

How visual effects changed and how they changed the movies. Oscar winner Paul Franklin explores how film entered the digital realm.

The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2's chrome shape shifter-the T1000. The revolution was underway.

With the voices of Ed Catmull, Mark Dippe, Bill Kroyer, Steven Lisberger, Dennis Muren, Alvy Ray Smith, Richard Taylor & Steve Williams

Producer: Mark Burman

Oscar winner Paul Franklin tells how visual effects changed and how they changed cinema.

Oscar-winner Paul Franklin tells how visual effects changed and how they changed cinema.

02Digital Realms2021071320220407 (R4)How visual effects changed and how they changed the movies. Oscar winner Paul Franklin explores how film entered the digital realm.

The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2's chrome shape shifter-the T1000. The revolution was underway.

With the voices of Ed Catmull, Mark Dippe, Bill Kroyer, Steven Lisberger, Dennis Muren, Alvy Ray Smith, Richard Taylor & Steve Williams

Producer: Mark Burman

Oscar winner Paul Franklin tells how visual effects changed and how they changed cinema.

Oscar-winner Paul Franklin tells how visual effects changed and how they changed cinema.

03The New Flesh20210720

Oscar winner Paul Franklin tells how visual effects changed and how they changed cinema. By the mid 1990s, Industrial Light & Magic, the VFX house at the heart of the rebirth of photochemical illusions, was home to a small but growing band of digerati convinced that the next breakthrough was at their fingertips. Jurassic Park not only proved their point but showed audiences and filmmakers that nothing could be the same again. The quest for the illusion of life, for the subtlety of performance would eventually lead back to Middle Earth and the evolution of Gollum - the perfect fusion of man and digits. Meanwhile the illusory world of The Matrix put its extraordinary moments of Bullet Time at the heart of its story and ideas. This was visual effects as both story and metaphor. Christopher Nolan's Inception took that warping of reality to a different, hyper-real realm as Paul Franklin and his team folded the streetscapes of Paris upon each other. And now? What does the future hold for storytelling and visual effects?

Producer Mark Burman

Oscar-winner Paul Franklin tells how visual effects changed and how they changed cinema.

03The New Flesh2021072020220414 (R4)

Oscar winner Paul Franklin tells how visual effects changed and how they changed cinema. By the mid 1990s, Industrial Light & Magic, the VFX house at the heart of the rebirth of photochemical illusions, was home to a small but growing band of digerati convinced that the next breakthrough was at their fingertips. Jurassic Park not only proved their point but showed audiences and filmmakers that nothing could be the same again. The quest for the illusion of life, for the subtlety of performance would eventually lead back to Middle Earth and the evolution of Gollum - the perfect fusion of man and digits. Meanwhile the illusory world of The Matrix put its extraordinary moments of Bullet Time at the heart of its story and ideas. This was visual effects as both story and metaphor. Christopher Nolan's Inception took that warping of reality to a different, hyper-real realm as Paul Franklin and his team folded the streetscapes of Paris upon each other. And now? What does the future hold for storytelling and visual effects?

Producer Mark Burman

Oscar-winner Paul Franklin tells how visual effects changed and how they changed cinema.